Results 11 to 20 of about 68 (68)
Education in the era of the Carolingian renaissance and the heritage of Marcian Capella
Известия высших учебных заведений. Поволжский регион: Гуманитарные науки, 2023 Background. The Carolingian Renaissance is an important milestone in the history of Medieval Europe, when trends began to take shape, which will be developed at the beginning of the 2nd millennium.
V.I. Arsen'ev
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Alexander redivivus? Opis solida z wizerunkiem Konstantyna Wielkiego w Vita Constantini
Klio, 2019 W tekście poddano analizie fragment z Vita Constaini (IV,15). W opinii autora relacji, Euzebiusza z Cezarei, przedstawia on pogrążonego w modlitwie Konstantyna Wielkiego, a przedstawienie cesarza z uniesionym wzrokiem miało świadczyć o jego pobożności ...
Ireneusz Milewski
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Bulletin du Centre d’Études Médiévales d’Auxerre, 2016 The regionalization of medieval writing is still an unclear question. Through various methods borrowed from Text Mining, the article seeks primarily to better define the forms and extent of the geographic variability of the diplomatic vocabulary ...
Nicolas Perreaux
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The Martyrs of Córdoba: Debates around a curious case of medieval martyrdom
History Compass, Volume 18, Issue 1, January 2020., 2020 Abstract Historians have long been fascinated by the almost 50 Christians who were sentenced to death by the Islamic authorities in mid‐ninth century Córdoba, in most cases for wilfully and publicly blaspheming against the Prophet. Since the single manuscript account describing the lives and actions of the so‐called martyrs of Córdoba was ‘rediscovered’
Kati Ihnat
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The ecclesiastical fight against storm‐makers in the Latin west
Early Medieval Europe, Volume 34, Issue 2, Page 275-298, May 2026.This paper studies the strategies used by the Church to fight against the storm‐makers. These figures were said to cause the storms that ruined crops, and during Late Antiquity and the early Middle Ages in the Visigothic and Frankish kingdoms were subject to punishment and constraints.
Juan Antonio Jiménez Sánchez
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Renaissance Studies, Volume 40, Issue 2, Page 293-308, April 2026.Abstract This article will demonstrate the intersectional nature of manuscript and print, as well as the importance of the printing press to Recusant readers. The article will consider TCD 352 as a manuscript or notebook for whom the material and immaterial nature of the book changes as both the Counter‐Reformation movement intensifies and the ...
Niamh Pattwell
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Gender &History, Volume 38, Issue 1, Page 21-37, March 2026.Abstract The ‘widow’ is a gendered, socially contingent category. Women who experienced spousal bereavement in the early middle ages faced various socio‐economic and legal ramifications; the ‘widow’ was further a rhetorical figure with a defined emotional register. The widower is, by contrast, an anachronistic category.
Ingrid Rembold
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Early Medieval Europe, Volume 33, Issue 2, Page 139-157, May 2025.Rutilius Namatianus’ poem De reditu suo was written a few years after the devastation of Rome in 410. It has been read as nostalgia for Rome’s past greatness written in a climate of senatorial escapism. This article revises this reading, instead analysing the poem as the literary expression of resilience on the part of the traditional western ...
Sophie Kultzen
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Cuestiones TeológicasCon el objetivo de identificar las tendencias de la investigación patrística del continente entre los años 2018 a 2023, se hace una revisión sistemática de literatura en 29 artículos de siete revistas teológicas latinoamericanas de impacto, teniendo ...
Manuel David Gómez Erazo
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Biblical exegesis at Wearmouth‐Jarrow before Bede? The Hereford commentary on Matthew
Early Medieval Europe, Volume 33, Issue 2, Page 183-219, May 2025.This article examines a previously neglected fragment of an early medieval commentary on Matthew’s Gospel, the bifolium Hereford Cathedral Library, P. II. 10. I argue on palaeographical grounds that this fragment was produced in Bede’s monastery of Wearmouth‐Jarrow in the first decades of the eighth century, at roughly the same time as the production ...
Samuel Cardwell
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