Results 231 to 240 of about 22,153,604 (283)

Erratum: Physiological plasticity in zebra finch color varieties mitigates DNA damage under oxidative stress. [PDF]

iScience
Marques CI, Rodríguez-Martínez S, Araújo PM, Afonso S, Córdoba-Aceituno M, Zougagh M, Ríos Á, Carneiro M, Galván I.   +8 more
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I Pedro Gailo Etzibà un llatinòrum

Assaig de teatre: revista de l'Associació d'Investigació i Experimentació Teatral, 2006
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In re Pedro Alejandrino Flores.

Annual Digest of Public International Law Cases, 1936
Extradition — Conditions of Extradition — Absence of Extradition Treaty — Maximum Penalty — Assurance of Authorities of Requesting State.
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Technical examination of Pedro de Mena'sMagdalen

Studies in Conservation, 1992
AbstractPedro de Mena's Magdalen is one of the most characteristic Spanish polychrome sculptures of the seventeenth century. Prior to its restoration, the Gabinete de Documentacion Tecnica of the Prado Museum undertook a technical examination of the work. This shed light on the interior construction of the sculpture and the different materials used, as
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The Reincarnation of Moloch in Pedro Lemebel’s “Manifiesto”

Journal of Iberian and Latin American Research, 2020
Pedro Lemebel’s only published poem, “Manifiesto (Hablo por mi diferencia)” ([1986]1996) stands out from his narrative composition as one of his first and most intense literary reflections.
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Pedro Nunes - Poemata : Nonnulla Corrigenda

Euphrosyne, 1992
Este artigo apresenta algumas correccoes ao texto do artigo «Pedro Nunes - Classical Poet», publicado em Euphrosyne XIX, 1991, pp. 231-270.
John R. C. Martyn, K. J. McKay
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Las mentiras en Pedro Páramo

Revue Romane. Langue et littérature. International Journal of Romance Languages and Literatures, 2015
Four types of lies will be analyzed in the novel Pedro Paramo by Juan Rulfo. Each one stems from a specific area: space, time, love and death. These lies are complementary; the first two permeate into the other two and these complement each other forming a circle of ambiguity and uncertainty in the narrative.
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Racial Cadence in Pedro Figari’s Candombe

Latin American and Latinx Visual Culture
During the first half of the twentieth century, representing the body was a pivotal means to reimagine national and regional identities at a moment when the legacies of colonial power structures were coming under increasing scrutiny. The body became a vehicle through which artists could envision new, expanded, and intersecting notions of race, gender ...
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Pedro I

2021
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