Results 161 to 170 of about 62,294 (212)
Some of the next articles are maybe not open access.
Perceptually Prioritized Bit-Plane Coding for High-Definition Advanced Audio Coding
Eighth IEEE International Symposium on Multimedia (ISM'06), 2006Wide bitrate range scalability is now the latest trend in audio coding. A lot of efforts has been devoted to the development of algorithms for more efficient scalable audio coder that scales from very low bitrate. Scalable audio coding technique such as MPEG-4 Scalable Lossless coding (SLS) offers a unified solution for high-compression perceptual ...
Te Li, Susanto Rahardja, Soo Koh
openaire +1 more source
Perceptual zerotrees for scalable wavelet coding of wideband audio
1999 IEEE Workshop on Speech Coding Proceedings. Model, Coders, and Error Criteria (Cat. No.99EX351), 2003This paper introduces a new algorithm for scalable coding of wideband audio signals. The technique is based on quantization of bi-orthogonal wavelet transformed coefficients using a perceptual zerotree method. An initial zerotree estimate of the wavelet coefficients is computed, followed by scalar quantization of the coefficients according to ...
A. Aggarwal +3 more
openaire +1 more source
Understanding perceptual distortion in MPEG scalable audio coding
IEEE Transactions on Speech and Audio Processing, 2005In this paper, we study coding artifacts in MPEG-compressed scalable audio. Specifically, we consider the MPEG advanced audio coder (AAC) using bit slice scalable arithmetic coding (BSAC) as implemented in the MPEG-4 reference software. First we perform human subjective testing using the comparison category rating (CCR) approach, quantitatively ...
openaire +1 more source
Phase Randomization-A new concept in Perceptual Audio Coding
TENCON 2006 - 2006 IEEE Region 10 Conference, 2006A novel technique of Phase Randomization (PR) for bit rate reduction in perceptual coding of high quality audio is presented. Instead of actual phase information, the decoder utilizes nevertheless?carefully?formulated `random' phase information for signal reconstruction with the help of a code sent by the encoder in every frame of data.
Muhammad Tayyab Ali +1 more
openaire +1 more source
IntMDCT - A link between perceptual and lossless audio coding
IEEE International Conference on Acoustics Speech and Signal Processing, 2002The Modified Discrete Cosine Transform (MDCT) is widely used in modem perceptual audio coding schemes. In this paper we present an integer approximation of this lapped transform, called IntMDCT, which is derived from the MDCT using the lifting scheme. This reversible integer transform inherits most of the attractive properties of the MDCT, exhibiting a
Ralf Geiger +3 more
openaire +1 more source
Enhancing the Quality of Coded Audio Using Perceptual Criteria
2005 IEEE 7th Workshop on Multimedia Signal Processing, 2005Code excited linear predictive (CELP) coding standards often fail to properly represent non-speech signals because they are inherently optimized for speech. Most modern CELP coders include provisions for the inclusion of indirect perceptual criteria to counteract this problem; however no direct psychoacoustic models are employed.
Visar Berisha, Andreas Spanias
openaire +1 more source
Objective Quality Assessment of Perceptually Coded Audio Signals
2023Eines der Hauptziele bei der Entwicklung von Algorithmen zur Kodierung und Verarbeitung von Audiosignalen ist die Erzielung der bestmöglichen Klangqualität innerhalb einer gegebenen Reihe von Entwurfsparametern (z. B. Beschränkungen hinsichtlich Bitrate und Rechenkomplexität).
openaire +1 more source
Transform coding of audio signals using perceptual noise criteria
IEEE Journal on Selected Areas in Communications, 1988A 4-b/sample transform coder is designed using a psychoacoustically derived noise-making threshold that is based on the short-term spectrum of the signal. The coder has been tested in a formal subjective test involving a wide selection of monophonic audio inputs. The signals used in the test were of 15-kHz bandwidth, sampled at 32 kHz.
openaire +1 more source
Wideband Speech and Audio Coding in the Perceptual Domain
2005A new critical band auditory filterbank with superior auditory masking properties is proposed and is applied to wideband speech and audio coding. The analysis and synthesis are performed in the perceptual domain using this filterbank. The outputs of the analysis filters are processed to obtain a series of pulse trains that represent neural firing ...
L. Lin, E. Ambikairajah, W.H. Holmes
openaire +1 more source
Narrowband perceptual audio coding: enhancements for speech
7th European Conference on Speech Communication and Technology (Eurospeech 2001), 2001Hossein Najaf-Zadeh, Peter Kabal
openaire +1 more source

