Results 101 to 110 of about 70,833 (273)

The subtle divide: a new method for identifying chop marks on long bone diaphyses using fracture morphology

open access: yesFrontiers in Environmental Archaeology
IntroductionChop marks provide critical evidence for reconstructing butchery practices, yet their identification criteria are underdeveloped and rely heavily on the presence of sharp force trauma. Sharp force trauma does not occur with every chop, and on
Tiffany Okaluk   +3 more
doaj   +1 more source

Towards an ‘absolute’ timing of biostratigraphic and environmental phases from the Saalian late glacial to the Weichselian pleniglacial in central Europe—Insights from a lacustrine succession in Lichtenberg, northern Germany

open access: yesBoreas, EarlyView.
Palynological records are central to the biostratigraphic subdivision of the Late Pleistocene in central Europe. Yet many interglacial and interstadial phases—such as the Eemian, Brörup and Odderade—remain only poorly constrained in time due to limited numerical dating.
Michael Hein   +19 more
wiley   +1 more source

Percussion Ensemble, chamber recital, April 24, 1967

open access: yes, 1967
Dance Patterns (Goodman, Saul); Sonata for Marimba and Piano (Tanner, Peter); Toccata (Chávez, Carlos); Pas de Deux (Russell, Armand); Suite for Percussion (Kraft, William); Matona, Mia Cara (Orlando Lassus) (Boyd, John, arr.); Lento (Schlenck, John ...
Percussion Ensemble
core  

The Early Upper Palaeolithic open‐air site of Friedrichsdorf‐Seulberg, Germany, in the context of the northern central European Aurignacian

open access: yesBoreas, EarlyView.
Our knowledge of the Early Upper Palaeolithic occupation in northern central Europe is very limited, and recent research at the open‐air site of Friedrichsdorf‐Seulberg in Hesse, Germany, provides important new information on the Aurignacian. The site is rather small (26.5 m2) and spatial analysis identified a central hearth with two associated ...
Tilman Böckenförde   +5 more
wiley   +1 more source

Percussion @ Peeler

open access: yes, 2019
The DePauw Percussion Ensemble presents its annual program of contemporary solo and chamber works for percussion, composed and improvised, in a non-traditional concert setting. Directed by Dr. Ming Hui-Kuo, the one-hour performance fuses contemporary art
Ensemble, DePauw Percussion
core   +1 more source

Graduate Recital: Mike Montez, percussion

open access: yes, 2008
Mr. Montez is a student of Richard Brown.La Fille aux Cheveaux de Lin, Debussy/David -- Konzert für Pauken, Werner Thärichen -- Chaconne in D Minor, Bach -- Variations for Flute and Percussion, David Lambert -- Concerto for Marimba, James ...

core  

A bifacial paradise—The site of Ochtmissen, Germany, and its lithic assemblage in the context of the last glacial (early MIS 4) in the north‐central European Lowland

open access: yesBoreas, EarlyView.
The Palaeolithic site of Ochtmissen (Lower Saxony, Germany) was excavated in fluvial terrace deposits during the winter of 1993/1994. The current study presents, for the first time, a thorough analysis of the lithic assemblage, encompassing its primary technological and typological characteristics, as well as the type and age of the fluvial deposits ...
Gianpiero Di Maida   +4 more
wiley   +1 more source

Environmental dynamics and timing of the late Eemian interglacial to the Weichselian pleniglacial at Lichtenberg, Germany: implications for the Oerel and Glinde interstadials

open access: yesBoreas, EarlyView.
The terrestrial sediment archives of northern Germany provide important insights into Late Pleistocene climate variability, but continuous and well‐dated records remain rare. In particular, the age and stratigraphic position of the Oerel and Glinde interstadials within the Early Weichselian to pleniglacial transition remain poorly constrained.
Alexis Badai Samudra   +6 more
wiley   +1 more source

Percussion @ Peeler

open access: yes, 2017
The DePauw Percussion Ensemble presents its annual program of contemporary solo and chamber works for percussion, composed and improvised, in a non-traditional concert setting. Directed by Dr. Ming-Hui Kuo, the one-hour performance fuses contemporary art
Ensemble, DePauw Percussion
core   +1 more source

Devising Embodied Ethnographic Encounters With Young Children: Playful Performances of Puberty and Menstruation

open access: yesChildren &Society, EarlyView.
ABSTRACT This article details curricular and research methods that privilege young children's voices, movements, and creative choices within performing arts workshops as they devise their own beliefs and understandings of puberty and menstruation. Participants included girl‐identifying children aged 5–12 years, residing in a central Pennsylvania suburb
Julie Snyder
wiley   +1 more source

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