Results 11 to 20 of about 1,412 (112)
THE SPECIFICS OF PERCUSSION INSTRUMENTS TREATMENT INTHE JAZZ MUSIC FROM THE 1950S [PDF]
In the center of the author’s attention are the percussion instruments of jazz origin from the 1950s. The purpose of the paper consists in the analysis of the interpretative features developed within two main currents of jazz from this period, namely ...
MOISEEV, PETRU
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Sticking choices in timpani sight-reading performance
When sight-reading a score, a timpanist needs to decide in real-time which stick to use to play a specific note while interpreting the musical material. Our main point of inquiry seeks to understand which sticking patterns performers employ and how they ...
Benjamin Bacon +4 more
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The idea of investigating the characteristics of Ko-tha, by the Italian composer Giacinto Scelsi (1905-1988), for guitar treated as a percussion instrument, arose fundamentally from the fact that this piece be an unusual composition in the guitar ...
Nuno Aroso, Ricardo Barceló
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The present study investigated motor kinematics underlying performance-related movements in marimba performance. Participants played a marimba while motion capture equipment tracked movements of the torso, shoulders, elbows, wrists, and hands.
Tristan Loria +3 more
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Percussion of the skull dates from a time when there were virtually no radiological methods for examining the skull and brain. Three apparently independent contributions appeared within the years 1893-1895. The sound elicited, tenderness, and auscultatory percussion have each been employed for diagnostic purposes, but have long been superseded.
openaire +2 more sources
Chest percussion, a common yet underutilized art
Dear Editor Long years of respiratory medicine practice lets one develop a clinical instinct which certainly aids in diagnostic acumen...
Neeraj Kumar Gupta +5 more
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Três obras para o Conjunto de Percussão da UFBA, o primeiro grupo de percussão do Brasil
The 20th century was a period of experimentation for percussive music. The first percussion groups were created with their own authorial composition. It is possible to observe the introduction of musical elements that innovated classical percussion. With
Aquim Almeida, Cecilia Tamplenizza
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James Wood’s Rogósânti: aspects of the analysis in a first approach
This article presents some initial considerations on the James Wood’s composition Rogósânti. Written in 1986 for multiple percussion and dedicated to the percussionist Steven Schick, this piece is shaped into a large “tripartite route”, where the ...
Eliana C. M. G. Sulpicio +1 more
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Este artigo analisa a interconexão entre compositor e intérprete no processo de criação colaborativa. Neste processo, exemplificado através da obra Recycling Collaging Sampling de Edson Zampronha, a interação de ambos papeis resulta em um trabalho cuja ...
Daniel Serale
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Variation Techniques in Four West African Lead Drumming Examples: A Comparative Study [PDF]
Contrary to the mythologies of both oversimplification and esoterism so often mistakenly associated with African music, lead drummers of various West African musical traditions often organize their musical material using similar coherent, sophisticated ...
Jeryl Johnston
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