Results 11 to 20 of about 70,833 (273)
European Respiratory Journal, 1995 The direct method of chest percussion, first described by Auenbrugger but disseminated by Corvisart, has rapidly been replaced by the indirect or digitodigital method. Chest percussion has not been evaluated by modern acoustic means, so that our present knowledge of the method does not consistently differ from the 19th century approach.
Yernault, Jean Claude +1 more
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Revista Portuguesa de Educação Artística, 2020 The idea of investigating the characteristics of Ko-tha, by the Italian composer Giacinto Scelsi (1905-1988), for guitar treated as a percussion instrument, arose fundamentally from the fact that this piece be an unusual composition in the guitar ...
Nuno Aroso, Ricardo Barceló
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Sticking choices in timpani sight-reading performance
Frontiers in Psychology, 2023 When sight-reading a score, a timpanist needs to decide in real-time which stick to use to play a specific note while interpreting the musical material. Our main point of inquiry seeks to understand which sticking patterns performers employ and how they ...
Benjamin Bacon +4 more
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Frontiers in Psychology, 2021 The present study investigated motor kinematics underlying performance-related movements in marimba performance. Participants played a marimba while motion capture equipment tracked movements of the torso, shoulders, elbows, wrists, and hands.
Tristan Loria +3 more
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Chest percussion, a common yet underutilized art
Monaldi Archives for Chest Disease, 2020 Dear Editor Long years of respiratory medicine practice lets one develop a clinical instinct which certainly aids in diagnostic acumen...
Neeraj Kumar Gupta +5 more
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European Neurology, 2008 Percussion of the skull dates from a time when there were virtually no radiological methods for examining the skull and brain. Three apparently independent contributions appeared within the years 1893-1895. The sound elicited, tenderness, and auscultatory percussion have each been employed for diagnostic purposes, but have long been superseded.
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James Wood’s Rogósânti: aspects of the analysis in a first approach
Revista da Tulha, 2015 This article presents some initial considerations on the James Wood’s composition Rogósânti. Written in 1986 for multiple percussion and dedicated to the percussionist Steven Schick, this piece is shaped into a large “tripartite route”, where the ...
Eliana C. M. G. Sulpicio +1 more
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Per Musi, 2012 Este artigo analisa a interconexão entre compositor e intérprete no processo de criação colaborativa. Neste processo, exemplificado através da obra Recycling Collaging Sampling de Edson Zampronha, a interação de ambos papeis resulta em um trabalho cuja ...
Daniel Serale
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Frontiers in Psychology, 2022 Sound-producing movements in percussion performance require a high degree of fine motor control. However, there remains a relatively limited empirical understanding of how performance level abilities develop in percussion performance in general, and ...
Tristan Loria +4 more
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Variation Techniques in Four West African Lead Drumming Examples: A Comparative Study [PDF]
Analytical Approaches to World Music, 2023 Contrary to the mythologies of both oversimplification and esoterism so often mistakenly associated with African music, lead drummers of various West African musical traditions often organize their musical material using similar coherent, sophisticated ...
Jeryl Johnston
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