Results 31 to 40 of about 67,261 (215)

Horizontalizando Relações entre Obra, Performances, Compositor e Performer

Revista Vortex, 2020
Embasado em algumas das importantes reflexões teóricas das últimas três décadas, o artigo objetiva discutir a percepção não-hierarquizada de relações entre obra, performances, compositor e performer, defendendo que a obra musical é um conjunto formado ...
Bruno Madeira
doaj   +1 more source

INDIVIDUAL TRAJECTORY OF FORMING A PIANIST’S PERFORMANCE STYLE IN THE CONTEXT OF PERSONALISED LEARNING IN A HIGHER ARTS INSTITUTION

Studia Universitatis Babeş-Bolyai. Musica
This study aims to reveal the individual trajectory of their performance style formation. It is viewed as a progressive strategy with unique content that provides a flexible approach to each student.
Olha LIASHENKO, Yevhen KURYSHEV, Lyudmyla HARKUSHA, Tetiana BUTENKO, Valentyn KASIANOV   +4 more
doaj   +1 more source

Investigating the role of score following in automatic musical accompaniment [PDF]

, 2009
When suitable accompanists are not available to a soloist musician, an alternative possibility is to use computer-generated accompaniment. A computer accompanist should interact with the soloist and adapt to the soloist's playing as a human accompanist ...
Alan Smaill (16064372), Smaill, A., Anna Jordanous (3195936), Jordanous, Anna, Smaill, Alan, Jordanous, A.   +5 more
core   +1 more source

Astor Piazzolla’s compositional and interpretive styling of his Tango Adiós Nonino across four decades of his career – insights into the emergence of Nuevo Tango

Cogent Arts & Humanities
Argentinian musician Astor Piazzolla is best known and celebrated for reinventing traditional Argentinian tango as Nuevo Tango by inviting jazz and classical influences into his compositions and performances.
Gina-Mihaela Pavel
doaj   +1 more source

A práxis da performance violonística: três gravações de “Omaggio a Boccherini”, de Tedesco

Revista Vortex, 2023
Neste trabalho propomos traçar vetores para as movimentações que determinados usos performáticos perfazem através dos tempos em performances de violão solo.
Caio Victor de Oliveira Lemos, Carolina Lindenberg Lemos   +1 more
doaj   +1 more source

Investigating the effects of introducing nonlinear dynamical processes into digital musical interfaces [PDF]

, 2015
This paper presents the results of a study that explores the effects of including nonlinear dynamical processes in the design of digital musical interfaces.
Paul Mulholland, Mulholland, Paul, Mudd, Tom, Tom Mudd, Dalton, Nick, Simon Holland, Mudd, Tom; id_orcid, Nick Dalton, Holland, Simon   +8 more
core   +1 more source

Insights Into the Musical Dramaturgy of Astor Piazzolla’s Operita Maria de Buenos Aires

Studia Universitatis Babeş-Bolyai. Musica
Numerous pages have already been filled out about Astor Piazzolla’s operita Maria de Buenos Aires. What I aim to bring anew through this work is the delineation of the musical dramaturgy within this work, with an emphasis on the orchestral ensemble ...
Gina-Mihaela PAVEL
doaj   +1 more source

Memória: uma chave afetiva para o sentido na performance musical numa perspectiva fenomenológica Memory: an affective key to the meaning of musical performance in a phenomenological perspective

Per Musi, 2010
Relato de experiência sobre a rotina de prática e atuação do quarteto de trombones Trombominas, no qual se propõe uma interlocução entre três eixos: performance musical, fenomenologia e a memória musical, enquanto função cognitiva.
Sérgio de Figueiredo Rocha
doaj   +1 more source

Colaboração, composição e preparação para a performance de “For guitar” para violão solo

Revista Vortex, 2020
O presente artigo consiste em uma discussão sobre diversos processos criativos relacionados à obra For guitar para violão solo, composta por Samuel Peruzzolo Vieira.
Márlou Peruzzolo Vieira, Samuel Peruzzolo Vieira   +1 more
doaj   +1 more source

Enescian Pianism and Interpretative Style in Chamber Music Works: Impromptu Concertant for Violin and Piano, Concertstück for Viola and Piano, Légende for Trumpet and Piano and Cantabile et Presto for Flute and Piano

Studia Universitatis Babeş-Bolyai. Musica
he idea of writing about and delving into Enescian pianism came to me while I was preparing two Enescu recitals, one as part of the Musica Barcensis Festival, the other one as part of George Enescu International Festival (in Sinaia).
Gina-Mihaela PAVEL
doaj   +1 more source