Results 11 to 20 of about 303,867 (299)

La comunicación performer-público en la performance de la música académica

open access: yesRevista de Psicología, 2018
Se presenta una investigación empírica sobre la performance musical académica en la interacción performer-público mediante la analogía de la narración musical. La metodología empleada fue de tipo cualitativa.
Matías Germán Tanco
doaj   +1 more source

Features of the Concertmaster’s Work in the Opera Theatre as a Teacher-Tutor and Performer [PDF]

open access: yesМузыкальное искусство и образование, 2021
The article presents the scientific basis for the topic relevant for the modern musical theater. Thetopic lies indetermining the main functions and tasks ofthe concertmaster working with acting opera artists and students ofspecialized, creative ...
Valeria A. Petrova
doaj   +1 more source

Cuerpo oscilante, personaje disperso. Acerca de "Bravo" de Juan José Saer - Horacio Banega

open access: yesTelondefondo : Revista de Teoría y Crítica Teatral, 2005
El teatro occidental presenta, para quien se aboque a analizar el concepto de personaje, una instancia previa ineludible: el cuerpo del actor, su realidad concreta.
Carla Crespo
doaj   +1 more source

THE CONCERT IN THE (GERMAN) DRAWING ROOM. CONCERNING THE THEME OF MEDIAN QUALITY OF THE ART OF MUSIC / КОНЦЕРТ В (НЕМЕЦКОЙ) ГОСТИНОЙ. К ТЕМЕ О МЕДИАЛЬНОСТИ МУЗЫКАЛЬНОГО ИСКУССТВА [PDF]

open access: yesНаука телевидения, 2019
On the basis of the data about the Federal Republic of Germany the article examines the measures taken by theater ad concert organizations with the aim of expanding the contingent of audiences by means of reclaiming virtual space.
NOVAK N. / НОВАК Н.
doaj   +1 more source

The Allure of Celebrities: Unpacking Their Polysemic Consumer Appeal [PDF]

open access: yes, 2018
The file attached to this record is the author's final peer reviewed version.To explain their deep resonance with consumers this paper unpacks the individual constituents of a celebrity’s polysemic appeal. While celebrities are traditionally theorised as
Gould, Stephen J.   +2 more
core   +2 more sources

Il più grande performer vivente

open access: yesMimesis Journal, 2013
Classe 1965, novarese ma laziale d’adozione, Antonio Rezza rappresenta un caso di studio esemplare di un performer che afferma la propria radicale alterità e al tempo stesso s’inserisce in un contesto di azione multimediale, affrontando, con metodi e ...
Carlo Titomanlio, Igor Vazzaz
doaj   +1 more source

From talking to silence: a confessional journey [PDF]

open access: yes, 2011
This article provides an account of work created by Adrian Howells over the duration of his AHRC Creative Fellowship. Howells provides a creator's perspective; Heddon, a spectator's perspective.
Heddon, D., Howells, A.
core   +1 more source

Traditional New Zealand Māori instruments, composition and digital technology: some recent collaborations and processes [PDF]

open access: yes, 2005
This paper examines the integration of traditional New Zealand Māori instruments with digital music technology, and the use of these instruments in making new works.
Whalley, Ian
core   +2 more sources

Habib Benglia, le « nègrérotique » du spectacle français

open access: yesGenre, Sexualité et Société, 2009
Habib Benglia exemplified the way theatre and music hall industry eroticized the black body. Sensuality always played a great part in the characters he embodied.
Nathalie Coutelet
doaj   +1 more source

«Симфонические танцы» Сергея Рахманинова: авторская интерпретация как стилевой ориентир для исполнителей

open access: yesВестник музыкальной науки, 2018
«Симфоническим танцам». Благодаря удивительному открытию последнего года -аудиозаписи, на которой автор исполняет свой опус (на рояле) - в настоящий момент музыканты получили возможность познакомиться с запечатленным композиторским замыслом.
Вершинин, Александр Александрович
doaj   +1 more source

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