La comunicación performer-público en la performance de la música académica
Se presenta una investigación empírica sobre la performance musical académica en la interacción performer-público mediante la analogía de la narración musical. La metodología empleada fue de tipo cualitativa.
Matías Germán Tanco
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Features of the Concertmaster’s Work in the Opera Theatre as a Teacher-Tutor and Performer [PDF]
The article presents the scientific basis for the topic relevant for the modern musical theater. Thetopic lies indetermining the main functions and tasks ofthe concertmaster working with acting opera artists and students ofspecialized, creative ...
Valeria A. Petrova
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Cuerpo oscilante, personaje disperso. Acerca de "Bravo" de Juan José Saer - Horacio Banega
El teatro occidental presenta, para quien se aboque a analizar el concepto de personaje, una instancia previa ineludible: el cuerpo del actor, su realidad concreta.
Carla Crespo
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THE CONCERT IN THE (GERMAN) DRAWING ROOM. CONCERNING THE THEME OF MEDIAN QUALITY OF THE ART OF MUSIC / КОНЦЕРТ В (НЕМЕЦКОЙ) ГОСТИНОЙ. К ТЕМЕ О МЕДИАЛЬНОСТИ МУЗЫКАЛЬНОГО ИСКУССТВА [PDF]
On the basis of the data about the Federal Republic of Germany the article examines the measures taken by theater ad concert organizations with the aim of expanding the contingent of audiences by means of reclaiming virtual space.
NOVAK N. / НОВАК Н.
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The Allure of Celebrities: Unpacking Their Polysemic Consumer Appeal [PDF]
The file attached to this record is the author's final peer reviewed version.To explain their deep resonance with consumers this paper unpacks the individual constituents of a celebrity’s polysemic appeal. While celebrities are traditionally theorised as
Gould, Stephen J. +2 more
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Il più grande performer vivente
Classe 1965, novarese ma laziale d’adozione, Antonio Rezza rappresenta un caso di studio esemplare di un performer che afferma la propria radicale alterità e al tempo stesso s’inserisce in un contesto di azione multimediale, affrontando, con metodi e ...
Carlo Titomanlio, Igor Vazzaz
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From talking to silence: a confessional journey [PDF]
This article provides an account of work created by Adrian Howells over the duration of his AHRC Creative Fellowship. Howells provides a creator's perspective; Heddon, a spectator's perspective.
Heddon, D., Howells, A.
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Traditional New Zealand Māori instruments, composition and digital technology: some recent collaborations and processes [PDF]
This paper examines the integration of traditional New Zealand Māori instruments with digital music technology, and the use of these instruments in making new works.
Whalley, Ian
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Habib Benglia, le « nègrérotique » du spectacle français
Habib Benglia exemplified the way theatre and music hall industry eroticized the black body. Sensuality always played a great part in the characters he embodied.
Nathalie Coutelet
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«Симфоническим танцам». Благодаря удивительному открытию последнего года -аудиозаписи, на которой автор исполняет свой опус (на рояле) - в настоящий момент музыканты получили возможность познакомиться с запечатленным композиторским замыслом.
Вершинин, Александр Александрович
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