Results 61 to 70 of about 300,202 (277)
Improvisation: Performer as Co-composer
Elements of musical improvisation have been present throughout the medieval, renaissance, and baroque eras, however, improvisation had the most profound recorded presence in the baroque era. Improvisation is inherently a living practice and leaves little
Kyle Schick
doaj +1 more source
Gestures as an interface of performers’ intentionality : a case study of Western Embodiment of Karnatic Music in piano performance [PDF]
Background Music performance has a strong corporeal dimension, involving different types of gestures (technical gestures, expressive gestures, etc.) that performers employ to transform a written score into live music (Leman 2007). This transformation is
Caruso, Giusy
core
Discreet Performances, Anonymous Performances, Virtual Performances
Taking as a starting point some performances and actions of Francis Alÿs, Nate Hill and Chris Burden whose categorization as a work of art depends on a critical or narrative discourse about them, this article presents a theoretical discussion about the performative and creative character of the different discourses that are woven around concrete or ...
openaire +2 more sources
ABSTRACT Introduction Neuroblastoma (NB) with central nervous system (CNS) metastases is rare at diagnosis, but occurs more often during relapse/progression. Patients with CNS metastases face a dismal prognosis, with no standardized curative treatment available.
Vicente Santa‐Maria Lopez +13 more
wiley +1 more source
Thinking Through Performance Technology in Music / Sound
Anthony Gritten, Caroline Wilkins
doaj +1 more source
Bowing models for string players [PDF]
A bowing is a sequence of bow motions that enable a piece of music to be played on a string instrument with an appropriate interpretation and sound. Traditional notation shows only the bow direction for a few notes.
Hall, C.V., O'Donnell, J.T.
core
Affordance of vibrational excitation for music composition and performance [PDF]
Mechanical vibrations have typically been used in the performance domain within feedback systems to inform musicians of system states or as communication channels between performers.
Hockman, Jason, Michailidis, Tychonas
core +2 more sources
Pathogenic Germline PALB2 and RAD50 Variants in Patients With Relapsed Ewing Sarcoma
ABSTRACT Approximately 10% of patients with Ewing sarcoma (EwS) have pathogenic germline variants. Here, we report two cases: first, a novel germline pathogenic variant in partner and localizer of BRCA2 (PALB2) in a patient with a late EwS relapse. Its impact on homologous recombination is demonstrated, and breast cancer risk is discussed.
Molly Mack +12 more
wiley +1 more source
ic2 (formerly intervention:coaction) [PDF]
ic2 is a live, audiovisual, beat-and-noise-based performance work. The intention is to create a symbiotic system, in which live decision-making by the performer impacts on both the audio and visual components of the work, but also in which both the audio
Harris, Louise
core
New Facility ‘Is Awesome’; Ice Auditorium Debuts This Fall [PDF]
Music sounds sweeter to performer and audience alike with the debut of the new Richard and Lucille Ice Auditorium in Melrose ...
Davis, Laura, Mileham, Mardi
core +1 more source

