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Creative Forces<sup>®</sup> Creative Arts Café: a theory-based creative performance framework for military-connected populations with traumatic brain injury and posttraumatic stress disorder. [PDF]
Front PsychiatryVaudreuil R +6 more
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From silence into song: an art-science collaboration with survivor trees and laryngectomy singers. [PDF]
Front PsycholMoors T, Himonides E.
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Behavioral insights into audience satisfaction: analyzing emotional and cognitive factors in K-culture dance engagement. [PDF]
PLoS OneYun H, Park M, Choi CH.
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Physical Medicine and Rehabilitation Clinics of North America, 2020
Performing artists are a unique subset of athletes. With the highly repetitive nature of performance training, emphasis on proper technique, ergonomics, and preventive cross-training is vital, as many injuries are due to overuse or poor technique.
Jovauna, Currey +5 more
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Performing artists are a unique subset of athletes. With the highly repetitive nature of performance training, emphasis on proper technique, ergonomics, and preventive cross-training is vital, as many injuries are due to overuse or poor technique.
Jovauna, Currey +5 more
openaire +2 more sources
Teamwork in the Performing Arts
Proceedings of the IEEE, 2004This paper addresses the nature of teams and teamwork in the performing arts, including symphony, chamber orchestra, chorus, and jazz, as well as musical theater, straight theatre, improv, ballet, and puppetry. The results of an interview study of performing arts leaders in these domains are reported.
William B. Rouse, Rebecca Rouse
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The Art of Scientific Performance
Trends in Ecology & Evolution, 2018Humanity builds upon scientific findings, but the credibility of science might be at risk in a 'postfactual' era of advanced information technologies. Here we propose a systemic change for science, to turn away from a growth paradigm and to refocus on quality, characterized by curiosity, surprise, discovery, and societal relevance.
Ralf Seppelt +3 more
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“Here, Performance Art is Performance Art”
2022Abstract The chapter provides an overview of the emergence of performance art, action art, and happenings in the Soviet underground since the 1960s. The main question is how a genre that was considered Western and aesthetically suspect was able to arise in the first place.
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