Results 131 to 140 of about 255 (158)
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International Journal of Persian Literature, 2020
Abstract This study analyzes selected Persian ghazals attributed to Najm al-Dīn Masʿūd Sāvajī (d. ca. 1493), who, at the behest of Āq Quyūnlū Sultan Yaʿqūb b. Ūzūn Ḥasan (r. 1478–90), held paramount administrative positions in the White Sheep confederate empire.
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Abstract This study analyzes selected Persian ghazals attributed to Najm al-Dīn Masʿūd Sāvajī (d. ca. 1493), who, at the behest of Āq Quyūnlū Sultan Yaʿqūb b. Ūzūn Ḥasan (r. 1478–90), held paramount administrative positions in the White Sheep confederate empire.
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A sententious character of the Persian ghazal as its structural feature
2022Autor stwierdza, że wyznaczniki gatunku przekazane przez klasyczną poetykę literatury perskiej są ogólnikowe i nieprecyzyjne. Definiowanie gatunków takich jak ghazal, fard i qit'a przez odnoszenie ich od qasidy, biorącej na siebie w tym układzie funkcję definiującego gatunku-matki, nie określa swoistości żadnego z wymienionych gatunków i staje się ...
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Monatshefte, 2010
The ideal literary translation, as it has been articulated by various thinkers in early nineteenth century, including Wilhelm von Humboldt, Friedrich Schleiermacher, and Goethe, strives to retain the 'otherness' or 'foreignness' of the 'original' text.
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The ideal literary translation, as it has been articulated by various thinkers in early nineteenth century, including Wilhelm von Humboldt, Friedrich Schleiermacher, and Goethe, strives to retain the 'otherness' or 'foreignness' of the 'original' text.
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The Use Of Artistic Imagery And Poetic Devices In Alisher Navoi’s Persian Ghazals
European International Journal of PedagogicsAlisher Navoi, one of the greatest figures in classical Eastern literature, made an immense contribution not only to Turkic (Chagatai) literature but also to Persian poetry. His Persian ghazals demonstrate a high level of artistic mastery, rich imagery, and sophisticated use of poetic devices.
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Journal of South Asian Intellectual History
Abstract How, despite the non-specificity of the ghazal’s semantics, can its rhythms contribute to intellectual history? This essay proposes an answer to this question with reference to sixty of the almost three thousand Persian ghazals composed by ʿAbd al-Qādir “Bīdil” (1644–1720) of Delhi.
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Abstract How, despite the non-specificity of the ghazal’s semantics, can its rhythms contribute to intellectual history? This essay proposes an answer to this question with reference to sixty of the almost three thousand Persian ghazals composed by ʿAbd al-Qādir “Bīdil” (1644–1720) of Delhi.
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The Lyric in the Romance: The Use of Ghazals in Persian and Turkish Mas̱navīs
Journal of Near Eastern Studies, 1984openaire +1 more source
The Transmission of Early Persian Ghazals (with Special Reference to the Dīvān of Sanā’ī)
2020openaire +1 more source

