Results 131 to 140 of about 255 (158)
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A Parvānchī Turned Poet Dilettante: History and the Persian Ghazal s of Āq Quyūnlū Statesman Najm al-Dīn Masʿūd Sāvajī (d. ca. 898/1493)

International Journal of Persian Literature, 2020
Abstract This study analyzes selected Persian ghazals attributed to Najm al-Dīn Masʿūd Sāvajī (d. ca. 1493), who, at the behest of Āq Quyūnlū Sultan Yaʿqūb b. Ūzūn Ḥasan (r. 1478–90), held paramount administrative positions in the White Sheep confederate empire.
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A sententious character of the Persian ghazal as its structural feature

2022
Autor stwierdza, że wyznaczniki gatunku przekazane przez klasyczną poetykę literatury perskiej są ogólnikowe i nieprecyzyjne. Definiowanie gatunków takich jak ghazal, fard i qit'a przez odnoszenie ich od qasidy, biorącej na siebie w tym układzie funkcję definiującego gatunku-matki, nie określa swoistości żadnego z wymienionych gatunków i staje się ...
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Persian Ear Rings and 'Fragments of a Vessel': Transformation and Fidelity in Hammer-Purgstall's Translation of Two Ghazals by Hafiz

Monatshefte, 2010
The ideal literary translation, as it has been articulated by various thinkers in early nineteenth century, including Wilhelm von Humboldt, Friedrich Schleiermacher, and Goethe, strives to retain the 'otherness' or 'foreignness' of the 'original' text.
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The Use Of Artistic Imagery And Poetic Devices In Alisher Navoi’s Persian Ghazals

European International Journal of Pedagogics
Alisher Navoi, one of the greatest figures in classical Eastern literature, made an immense contribution not only to Turkic (Chagatai) literature but also to Persian poetry. His Persian ghazals demonstrate a high level of artistic mastery, rich imagery, and sophisticated use of poetic devices.
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“To What Song Does the Vein of Poetry’s Lute Throb?” The Hypotactic Poetics of Bīdil’s Persian ghazals in Sanskrit-Hindi-Arabic Meters

Journal of South Asian Intellectual History
Abstract How, despite the non-specificity of the ghazal’s semantics, can its rhythms contribute to intellectual history? This essay proposes an answer to this question with reference to sixty of the almost three thousand Persian ghazals composed by ʿAbd al-Qādir “Bīdil” (1644–1720) of Delhi.
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