MODERNITY OF PERSIAN PAINTING IN SOCIAL DISCOURSES OF CONTEMPORARY IRAN FOCUSING ON ERNESTO LACLAU’s AND CHANTAL MOUFFE’S DISCOURSE ANALYSIS APPROACH [PDF]
نگره, 2022 Persian painting has been well known as a traditional art with a deep-rooted history, evolving consistently in accordance with traditions and the context of cultural changes of the society of its respective age.
maryam khodammohammadi +2 more
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The Role of Religious Concepts in the Nastaliq Inscriptions of Safavid Monuments [PDF]
پیکره, 2021 Problem Definition: The usage of inscriptions in the Safavid monuments has been expanded and diverse, and the initial study of these works shows that the Safavid artists often used Thuluth and Kufic inscriptions to write religious themes and Nastaliq for
Farhad Khosravi Bizhaem
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Myths and Legends, An Intertextual Application in Games and Toys [PDF]
مطالعات بینرشتهای ادبیات، هنر و علوم انسانی, 2022 Nowadays, new topics have appeared in interdisciplinary approaches to research. Such topics are not limited to theoretical aspects of the research. In humanities, they have been helpful in practical applications of literature. For example, involvement of
Maryam Jalali, Azam Hakim
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A Comparative Analysis of Themes and Concepts and Composition of Safavid Sangeško Rug and the Qajar Rug [PDF]
نگره, 2020 Iranian rug is one of the most precious and ancient arts in Iranian culture and art history. Safavid era was the utmost of outstanding blossoming of rug weaving art in Iran.
Samad Najarpoor Jabbary +2 more
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Eric Schroeder: maverick polymath [PDF]
Journal of Art Historiography, 2023 The article surveys the life and output of Eric Schroeder (1904-71), who served from 1938 as (mainly honorary) Keeper of Persian Art at the Fogg Museum of Art, Harvard University, mounting choice exhibitions and greatly expanding the collection of ...
Robert Hillenbrand
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Portraits of Painters in Islamic Painting “In light of Examples from Safawid era” [PDF]
مجلة کلية الآثار - جامعة القاهرة, 2022 From the Safawid era (907-1145 H./1502 -1732 A.D.) and with the rise of painter’s status in society, a major transition in mode of Persian painting had appeared. It was the technical orientation to display portraits of princes, nobles and artists.
Reham Said el-Sayed Ismail
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Portrait of the People of Silla According to the Persian Texts
Meno Istorija ir Kritika, 2022 Persian and Arabo-Persian texts frequently referred to Silla as a highlighted toponym. Obviously, descriptions used for Silla in Persian texts cannot be comparable with other toponyms.
Akbarzadeh Daryoosh
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Comparative Study of the Symbolic Manifestation of the Cypress Tree in Literature and Iranian painting [PDF]
نگره, 2016 The Cypress tree is a symbolic element often used both in Persian literature (poetry) and Persian iranian painting. The main concern of this study is to find a relationship between the element of Cypress tree as used in the Persian literature and in ...
Niloofar Zandi, Fatemeh Safiri
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The Explanation of the Frame in Traditional Persian Paintings and Its Innovation in the Artworks of Mahmoud Farshchian [PDF]
نگره, 2020 “Frame” or Cadre is essentially one of the most important constituent elements of an artwork, and the artists have long paid attention to it in the visual arts of Iran; especially in post-Islamic arts.
zeinab rajabi, Syyed Abutorab Ahmadpanah
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The Stylistics of Illumination in Manuscripts Written During the Injuid Period [PDF]
هنرهای زیبا. هنرهای تجسمیThe stylistics of manuscript decorations helps identify artistic styles in the history of book art, understand other works of the period, and detect forgeries. Illumination is one of the key decorative arts in the art of the book. Manuscript illumination,
Pegah Ebrahimi, samad najarpour jabbari
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