Results 31 to 40 of about 1,236 (175)
Obesity and the Politics of Taddeo di Bartolo's Inferno
Renaissance Studies, Volume 40, Issue 5, Page 838-852, November 2026.ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
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Padre Tempo sul sentiero dei Triumphi. Note sulle raffigurazioni del Trionfo del Tempo nei manoscritti petrarcheschi del XV e XVI secolo [PDF]
Papireto“Half-classical, half-medieval, half-Western, halfOriental, this figure illustrates both the abstract grandeur of a philosophical principle and the malign voracity of a destructive demon.
Paolo Santagata
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ChemistrySelect, Volume 11, Issue 37, 6 October 2026.The method is catalytic, robust, and broadly applicable, efficiently producing aldehydes without overoxidation. Notably, it employs Ethanol as a bio‐renewable solvent, highlighting a more sustainable approach that reduces the environmental impact of chemical processes.
Emmanuel Dias da Silva +5 more
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Crossroads of the Life of Vittorio Alfieri
Journal for Eighteenth-Century Studies, Volume 49, Issue 3, Page 375-392, September 2026.Abstract This article examines Vittorio Alfieri's Life as a deliberately constructed narrative of cultural, linguistic, and political self‐fashioning within eighteenth‐century European intellectual networks. Rather than treating the autobiography as a transparent record of experience, the article argues that Alfieri retrospectively reorganizes his ...
Sara Gallegati
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Petrarca, Francesco (2003). «Triunfos»
Quaderns d'Italià, 2004 Petrarca, Francesco (2003 ...
Luigi Giuliani
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Carte Romanze, 2021 Il contributo offre nuovi elementi riguardo alle quattro canzoni – attribuite a Cavalcanti, Dante, Cino, e Arnaut Daniel – citate in Lasso me, ch’i’ non so in qual parte pieghi (Rerum vulgarium fragmenta 70) di Petrarca.
Maria Clotilde Camboni
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Renaissance Studies, Volume 40, Issue 4, Page 609-634, September 2026.Abstract In the late fifteenth century, the Hungarian royal court at Buda was home to a cosmopolitan community of humanists. In early modern historiography, this cultural milieu has often been interpreted as one of the new, emergent ‘centres’ of the Renaissance in East Central Europe.
Eva Plesnik
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What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, Volume 40, Issue 4, Page 712-738, September 2026.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
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Analysing Modelling Errors in Migration Models Using a Simulation Approach
Population, Space and Place, Volume 32, Issue 5, July 2026.ABSTRACT A major challenge of migration modelling is that the actual migration process is unknown to researchers. Previous migration modelling has been done in a black‐box manner. Only the overall performance of a migration model is evaluated, while the contributions of specific errors remain unclear.
Jianfa Shen
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Revista de Cancioneros Impresos y ManuscritosAquest article té com a objecte d’estudi la Glòria d’amor de fra Bernat Hug de Rocabertí (c. 1416/20-1485), un llarg poema narratiu amb clara influència de la Commedia de Dante i d’altres obres italianes, com l’Amorosa visione i l’Ametode Boccaccio, però
Marta Marfany
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