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, 2010 Petrarch (Francesco Petrarca, b. 1304–d. 1374) occupies a unique position in Renaissance studies. While modern scholarship has shown that others laid the foundation for him, Petrarch was the first to insist forcefully and polemically that the culture of his day needed reorientation toward the past.
Carus, Paul
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Petrarca per stillicidio [PDF]
Cuadernos de Filología Italiana, 2005 Petrarch’s influence in Britain, if, via traditional literary histories, we look only at great figures, is essentially fragmentary and ambiguous.
Jonathan Usher
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Petrarch: The first modern poet [PDF]
Zbornik Radova Filozofskog Fakulteta u Prištini, 2016 Francesco Petrarch is the father of the Italian literature and was on the forefront of the humanists who influenced the formation of a new age culture. He lived in the time of mixing discourse: a Christian religion and Humanistic philosophy.
Kostić Tatjana T.
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From Petrarch to Machiavelli: the birth of a political ancestry during Fascism [PDF]
Polis: Revista de Stiinte Politice, 2021 This contribution aims to examine the declensions of the connection between Petrarch and Machiavelli, in some studies carried out between the Twenties and Forties of the 20th Century.
Laura MITAROTONDO
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The Limits of Autobiographical Logic. On the Impossibility of Narrating One’s Death
European Journal of Life Writing, 2020 The practice of life writing seems to exclude the incorporation of the writer’s death. How can autobiography come to terms with this blind spot? Are there any strategies that enable the horizon or end of the writer’s life (‘bios’) to be integrated into ...
Mathias Mayer
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Archival Investigations. Fracassetti and Valentinelli about Petrarch
TECA, 2020 This essay will deepen the figure of Giuseppe Fracassetti (1802–1883), a lawyer, historian and scholar from Fermo who published and translated Latin Letters of Petrarch (and more), and his archive at the Biblioteca Spezioli in Fermo, through the study of
Valentina Zimarino
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Slavica Revalensia, 2021 The article offers a list of possible iconographic subtexts of Osip Mandel’shtam’s translation of the beginning of Petrarch’s sonnet CCCXIX («I dì miei più leggier che nes(s)un cervo / Fuggir come ombra, et non vider più bene / Ch’un batter d’occhio, et ...
Nikita Okhotin
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The Epilogue in Doctor Faustus: The Petrarchan Context
NJES: Nordic Journal of English studies, 2010 Metaphors used in Epilogue in Doctor Faustus, particularly the cut branch and Apollo‟s burned laurel bough, are indicative of Marlowe‟s intellectual involvement with Petrarch and the former‟s role in the literary circle centered on the Countess of ...
Roy Eriksen
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Quanto piace al mondo è breve sogno. Petrarch and Schopenhauer: Elective Affinities
Humanist Studies & The Digital Age, 2011 Art plays a fundamental role in Arthur Schopenhauer’s philosophical system, and among the many artists who Schopenhauer cites, Francis Petrarch may be considered the most significant.
Enrico Vettore
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"My infinite thoughts full of errors": The peculiarities of Petrarchism in Michelangelo's Rime - [PDF]
Reči (Beograd), 2019 In the light of the most recent critical debate, sixteenth-century Petrarchism has been divested of the simple dichotomy between norm and rejection, similarity and dissimilarity, imitation and deviation in relation to Petrarch's model or Bembo's ...
Beneduci Luigi E., Vujović Marija N.
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