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Petrarch and the Significance of Dialogue
The collective mind often attributes the image of a modern Latin classroom to a teacher writing on a chalkboard in front of students eagerly memorising the declensions in silence.
Aaron Chung, Charles Irwin
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Petrarch (Francesco Petrarca, b. 1304–d. 1374) occupies a unique position in Renaissance studies. While modern scholarship has shown that others laid the foundation for him, Petrarch was the first to insist forcefully and polemically that the culture of his day needed reorientation toward the past.
Carus, Paul
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PETRARCH 2 is the fourth generation of a series of Event-Data coders stemming from research by Phillip Schrodt. Each iteration has brought new functionality and usability, and this is no exception.Petrarch 2 takes much of the power of the original Petrarch's dictionaries and redirects it into a faster and smarter core logic.
C. Norris
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Exile and Petrarch’s Reinvention of Authorship [PDF]
This article demonstrates a systematic connection between the novelty of Petrarch’s authorship and his self-definition as an exile. Petrarch employs the unusual term exilium/esilio to substantiate his unprecedented claim that literature is a legally ...
Laurence E. Hooper
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Petrarca per stillicidio [PDF]
Petrarch’s influence in Britain, if, via traditional literary histories, we look only at great figures, is essentially fragmentary and ambiguous.
Jonathan Usher
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The development of poetic Petrarchism in the first decade of the 16th century entailed the flourishing of Petrachism in music. During the transformation of poetic and musical composition due to the development of madrigal, musicians resorted to Petrarch ...
E. V. Pankina
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Few authors have shaped the history of European poetry as much as Petrarch (1304–1374). Based on its remarkable poetic style, Petrarch’s most important Italian text, a collection of love poems called Canzoniere not only had an enormous impact on the ...
Jan Rohden
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The Reception of Petrarch’s Africa in Fascist Italy
In his 1877 Storia della letteratura (History of Literature), Luigi Settembrini wrote that Petrarch’s fourteenth-century poem, the Africa , ‘is forgotten …; very few have read it, and it was judged—I don’t know when and by whom—a paltry thing’. Yet, just
S. Agbamu
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Making Flowers Speak: Petrarch and Idiorrhythmy
This article brings Petrarch’s (1304–74) lyric poetry into dialogue with Barthes’s notion of “idiorrythmie” (idiorrhythmy) as outlined in his lecture course Comment vivre ensemble (How to Live Together).
F. Southerden
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Petrarch: The first modern poet [PDF]
Francesco Petrarch is the father of the Italian literature and was on the forefront of the humanists who influenced the formation of a new age culture. He lived in the time of mixing discourse: a Christian religion and Humanistic philosophy.
Kostić Tatjana T.
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