Results 51 to 60 of about 1,492 (163)
Revista de Filología Románica, 2018 Due to its aesthetic characteristics of perfection and harmony, but also of repetition and homologation, Renaissance love poetry has often been object of limited attention by the critics, who have briskly labelled it Petrarchism.
Matteo Trillini
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DIE ARBEIT DES ÜBERSETZENS: RILKE UND MICHELANGELO („SE ’L MIE ROZZO MARTELLO‘‘)
German Life and Letters, Volume 78, Issue 2, Page 194-216, April 2025.ABSTRACT This essay examines Rainer Maria Rilke's reception of the sculptor and poet Michelangelo in the context of interest in the Renaissance around 1900, focusing first on the Stundenbuch, the Florenzer Tagebuch and the story ʻVon einem, der die Steine belauschtʼ (from the prose collection: Geschichten vom lieben Gott).
Astrid Dröse, Jörg Robert
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Education towards a reasonable humanism
Philosophical Investigations, Volume 48, Issue 2, Page 143-161, April 2025.Abstract Education is twice over concerned with human nature, most extensively as it is presupposed in the pursuit of diverse aims, and more specifically, as understanding it and applying such understanding are themselves made objects of study and teaching. The latter was a principal concern of ancient, renaissance and enlightenment humanists.
John Haldane
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Le antiche versioni spagnole di S’amor non è, che dunque è quel ch’io sento? (Rvf CXXXII)
Cahiers d’Études Italiennes, 2018 The sonnet S’amor non è, che dunque è quel ch’io sento? “dovette incontrare tanto favore fino al sec. XVIII”, because it showed, like others, “una tendenza agli artifici della vecchia lirica” and “nulla di tipicamente petrarchesco” (Mario Praz, 1935 ...
Marco Federici
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Richard Nugent's Cynthia (1604): a Catholic sonnet sequence in London, Westmeath, and Spanish Flanders [PDF]
, 2013 The title of Richard Nugent?s sonnet sequence, Cynthia (1604), would seem to suggest that it formed part of the tradition of celebratory verse which compared Elizabeth I to the virgin huntress and moon goddess who was variously called Diana, or Phoebe ...
Serjeantson, D
core
Lacanian realism: Literatura de la crisis and Ángel Zapata's aesthetic of failure
Orbis Litterarum, Volume 80, Issue 1, Page 74-93, February 2025.Abstract Since Spain's socio‐economic crisis of the 2010s, critical approaches have analysed the surge in literature which addresses the crisis's political and socio‐economic consequences. These approaches have largely assessed literature by its capacity to raise readers' awareness of capitalist exploitation.
Alejandro Veiga‐Expósito
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Floridas señas: Góngora and the Petrarchan tradition
, 2013 This essay examines the use of the Petrarchan motif of the generative footsteps'the magical ability of the beloved to make flowers bloom wherever she stepsin three sonnets by the Golden-Age Spanish poet Luis de Gongora: Al tramontar del sol, la ninfa mia'
Amann, Elizabeth
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Venus förvisning och återkomst
Tidskrift för Litteraturvetenskap, 2012 The Banishment and Return of Venus: Skogekär Bergbo’s Wenerid as Occasional Poetry This article deals with the Swedish sonnet sequence Wenerid, written by the pseudonym Skogekär Bergbo in the tradition of Petrarch.
Lars Gustafsson
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Decolonizing the Muslim mind: A philosophical critique
The Philosophical Forum, Volume 55, Issue 4, Page 353-375, Winter 2024.Abstract The crises of the Islamic world revolve around “epistemic colonialism.” So, in order to decolonize the Muslim mind, we must be able to deconstruct the Western episteme, and this involves dissociating ourselves from the Eurocentric knowledge system that gradually became ascendent since the Renaissance through such ideas as progress and ...
Muhammad U. Faruque
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XVII-XVIII, 2014 In the English Renaissance, the Petrarchan lover was the figure of excess par excellence. In poems and plays of the late Elizabethan and early Jacobean periods, his excessive desire and grief were expressed through a rhetoric characterised by a ...
Rémi Vuillemin
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