0243 Il volto di Bologna. Immagini, tradizioni e luoghi di una nazione a Roma
RIHA Journal, 2020 This paper aims to define the role of the Bolognese 'nation' in sixteenth- and seventeenth-century Rome. The church of Saints John the Evangelist and Petronius, built in 1576 under the Bolognese Pope Gregory XIII, represents the first instance of this ...
Giulia Iseppi
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Images of Music and Musicians as Indicators of Status, Wealth and Political Power on Roman Funerary Monuments [PDF]
, 2019 Untersuchungen bildlicher Darstellungen von Musikinstrumenten sowie Musikantinnen und Musikanten haben ergeben, dass sie in Grabkontexten benutzt wurden, um auf den Wohlstand sowie den politischen oder sozialen Status der verstorbenen Person oder ihrer ...
Alexandrescu, Cristina-Georgeta
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Figures du lycanthrope à l’âge baroque
Etudes Epistémè, 2019 The image of the werewolf, whose roots can be found in Pline’s or Petronius’ tales of metamorphosis, undergoes an intriguing reinterpretation in the Baroque era under the name of “lycanthrope”. This new figure of the werewolf does not belong to the realm
Édith Girval
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et subito lupus factus est: Linguistische und metrische Untersuchungen zu Petrons Werwolfgeschichte (Petron. 61-62) [PDF]
, 2017 Zu den eindrucksvollsten Passagen in Petrons Satyrica zählt ohne Zweifel die von Niceros erzählte Werwolfgeschichte (61, 3 - 62, 14). Doch im Gegensatz zu den längeren Novellen über die Witwe von Ephesus und den Knaben von Pergamon hat diese Erzählung in
Becker, Niels
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Trimalchio’s last will: shifting interactions between seeming and being
Journal of Historical Network Research, 2019 During the cena Trimalchionis – maybe the most prominent stage of Petronius Satyrica – we come to know of different testamentary dispositions whereby the focus is set on Trimalchio as legatee, heir, and especially as testator.
Elena Köstner
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Inscription dedicated to Neptune from the territory of ancient Doclea [PDF]
Starinar, 2009 A new votive inscription from the territory of Doclea has recently been published. The reading of the text needs revision, and consequently, reinterpretation.
Grbić Dragana
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Eumolpus poeta, Ovidio y la ultima manus en Sat. 118 [PDF]
, 2011 En el discurso de Eumolpo (Sat. 118) se han visto posibles alusiones a Cicerón y a Séneca rhetor, pero lo más probable es que la utilización por parte de Eumolpo de un lenguaje de "arte poética" sea la principal causa de tal lectura intertextual; quizá ...
Carmignani, Marcos Flavio
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Male Youths as Objects of Desire in Latin Literature: Some Antinomies in the Priapic Model of Roman Sexuality [PDF]
, 2010 Drawing on a range of sources such as Roman oratory, love elegy, Carmina Priapea and Petronius, the paper claims that the Priapic model of Roman Sexuality entails a particularly vulnerable form of male sexuality which can best be observed in descriptions
Wildberger, Jula
core
Norman and Nietzsche: The Political Project of Lindsay's The Magic Pudding
Australian Journal of Politics &History, EarlyView.Australian artist and writer Norman Lindsay (1879–1969) wrote 11 novels and two children's books, one of which—The Magic Pudding first published in 1918—remains a national classic. This article argues that readers and critics have long misunderstood Lindsay's intention in writing this lengthy cartoon‐story about the adventures of Bunyip Bluegum in ...
John Uhr
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Reasonable ecstasies: Shaftesbury and the languages of libertinism [PDF]
, 1998 No description ...
Cowan, Brian
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