Results 241 to 250 of about 603,267 (300)

From Mandatory to Meaningful: Boosting Engagement With Announced Bonus Quizzes

Journal of Dental Education, EarlyView.
Philip Patston, Anthony Huang, Asha Eapen   +2 more
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Sense and Spectacle in the Age of Philip IV

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Philip IV's Early Italian Commissions

Oxford Art Journal, 1982
In the Arte de la Pintura (1638), Francisco Pacheco established the esteem which each patron owed to the painter's genius as a fundamental principle of patronage; he cited the rewards and commissions granted to Rubens and Velazquez by Philip IV as resting on their talents alone. The monarch's taste and judgement, formed for the main part in the picture
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Chapter IV Philip Hepburn

2013
The coast on that part of the island to which this story refers is bordered by rocks and cliffs. The inland country immediately adjacent to the coast is level, flat, and bleak;* it is only where the long stretch of dyke-enclosed*...
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Philip IV and the World of Spain’s Rey Planeta

2023
Did Spain fall into decline or flourish in the seventeenth century?<br><br>This edited collection looks at perceptions and representations of Philip IV, Spain's 'Planet King', and his government against the backdrop of the seventeenth-century General Crisis in Europe, wars, revolutions and a sovereign debt crisis.
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Calabazas: Court Jester to Philip IV of Spain

JAMA: The Journal of the American Medical Association, 1966
One painting under another, crossed eyes... an orthopedic deformity of the foot... a retrospective diagnosis spanning three centuries. These are the ingredients that make the acquisition of a Velazquez portrait by the Cleveland Museum of Art a fascinating melange of diverse interests, attracting the attention of the art patron, the doctor, and the ...
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Velázquez's "Philip IV" in the Metropolitan Museum

Metropolitan Museum Journal, 2010
The article discusses the conservation of the 1624 portrait painting "Philip IV (1605-1665), King of Spain," by Diego Rodriguez de Silva y Velazquez, at the Metropolitan Museum of Art in New York City. The author discusses Velazquez's position as court painter to Philip IV and compares the painting to other portraits by Velazquez. The author traces the
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The Capetians from the death of Philip II to Philip IV

1999
This chapter describes the reign of several Capetian rulers namely, Louis VIII, Blanche of Castile, Louis IX, Philip III, and Philip IV. When he came to the throne in 1223, Louis VIII was confronted immediately with the need to secure the western territories which his father Philip Augustus had conquered from the English and to decide on a course of ...
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Enemies of Flattery: Velazquez' Portraits of Philip IV

Journal of Interdisciplinary History, 1986
Enemies of Flattery: Velazquez' Portraits of Philip IV Since antiquity, portraits of rulers have reflected the aspirations, ideals, and pretensions of those in power. Because these images epitomize a ruler's self-concept, they are valuable sources for understanding the personalities and programs of the sitters.
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