Results 101 to 110 of about 4,316 (227)
A Phoenician tapestry in Galera (Granada, Spain): Hispano-Phoenician tapestries and fabrics
La identificación de la célebre pintura de una tumba ibérica de Galera como alfombra y no como pintura parietal, siguiendo la descripción de Cabré y Motos, constituye la primera representación conocida de una alfombra de tipo fenicio, a base de flores de
Martín Almagro-Gorbea +1 more
core +1 more source
This dataset documents 125 micro-islands (≤20 km²) with evidence of Phoenician-Punic activity across the Mediterranean-Atlantic region, offering a systematic geospatial corpus for studying ancient insularity. Data were collected through archival research,
Daniel Rioja González
doaj +1 more source
Since the early stages of Phoenician presence in the central-western Mediterranean, numerous funerary contexts have been distinguished, often characterized by the presence of transport amphorae.
Guirguis, Michele
core
An interdisciplinary approach to Iron Age Mediterranean chronology through combined archaeological and 14C-radiometric evidence from Sidon, Lebanon. [PDF]
Doumet-Serhal C +4 more
europepmc +1 more source
Johs. Pedersen. — The Phoenician Inscription of Karatepe.
Herdner Andrée. Johs. Pedersen. — The Phoenician Inscription of Karatepe.. In: Syria. Tome 29 fascicule 1-2, 1952. pp.
Herdner, Andrée
core
The Phoenician Culture in Spain
Работа посвящена истории и культуре финикийских колоний на Пиренейском полуострове. The Paper is devoted to the history and culture of the Phoenician colonies on Iberian Peninsula.Резюме на английском языке: с. 245-246. Карты и иллюстрации: с.
Циркин, Юлий Беркович +1 more
core
Early Phoenician Red Slip Ware at Motya: from Levantine prototypes to western styles [PDF]
Red Slip (RSW) is a specialized ware exported by Phoenician seafarers from the Levant throughout the Mediterranean during the first half of the 1st millennium BC.
Cappella, Federico
core +1 more source
From Old to Young: Rejuvenation in The Waste Land. [PDF]
Hwang K.
europepmc +1 more source

