Results 1 to 10 of about 162 (116)
Gesture and miniaturization: the phonographic album as a memory artifact in musicking
Per Musi, 2021 Inspired by Gregory Bateson’s works, musicologist Christopher Small coined the term musicking to express the central notion of his approach to the communicational and performative essence of music making.
Sabrina Dinola, Regina Abreu
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Language, neoliberalism and K-pop: multilingualism in Korean pop music and language commodification
Conversas & Controvérsias, 2022 In the past decade K-pop has crossed the globe, mixing not only rhythms and musical genres, but also languages. Observing the profusion of languages in Korean popular music, we asked what the role of languages is and in what
Matheus Cordeiro
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L’opera musicale fra oralità, scrittura e fonografia
Aisthesis, 2014 Technical reproducibility and recording have had important consequences on the production of musical works. The ontological identity and aesthetic functioning of the latter are explained in this article in the light of three main ways of organisation of ...
Alessandro Arbo
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Tic & Société, 2020 Since the 2000s, various sectors of the cultural industries have been undergoing profound changes, from the way they are organized to the way they edit content.
Guylaine GUÉRAUD-PINET
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Sur le Journalisme, 2023 ES. El presente artículo analiza, desde una perspectiva semiótica, las posibilidades y limitaciones del cómic como lenguaje empleado para documentar hechos efectivamente acaecidos.
Pablo Porto López
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Diffusion paths between product life-cycles in European phonographic markets
CoRR, 2016 We have investigated the product life-cycles of almost 17 000 hit singles performed on the 12 biggest national phonographic markets in Europe including: Austria, Belgium, France, Germany, Ireland, Italy, Netherlands, Norway, Spain, Sweden, Switzerland and the United Kingdom. We have considered weekly singles charts from the last 50 years (1966-2015) in
Andrzej Buda, Andrzej Jarynowski
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Tecnologia de áudio na etnomusicologia Audio Technology in Ethnomusicology
Per Musi, 2010 Estudo sobre a relação da etnomusicologia com a tecnologia de áudio adentrando nos principais desenvolvimentos tecnológicos e conceituais dessas duas áreas desde o final do século XIX.
André Vieira Sonoda
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Comunicação e Sociedade, 2017 This paper discusses the digitalization process of the Brazilian music industry through bibliographical, documental and empirical sources – the latter based on fieldwork and personal interviews conducted from July 2014 to June 2015. To achieve this goal,
Daniel Ferreira Wainer
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Sample magic: (conjuring) phonographic ghosts and meta-illusions in contemporary hip-hop production [PDF]
Popular Music, 2019 AbstractSampling has been criticised as ‘a mixture of time-travel and seance’, ‘the musical art of ghost co-ordination and ghost arrangement’, and a process that ‘doubles (recording's) inherent supernaturalism’ (Reynolds, S., 2012,Retromania: Pop Culture's Addiction to its Own Past, London, Faber and Faber, pp. 313–14).
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Between the Dance that Registers and the Library that Dances, Dimenti turns Memory into History
Revista Brasileira de Estudos da Presença, 2022 Between the Dance that Registers and the Library that Dances, Dimenti turns Memory into History – Created in 1998, the Dimenti Group from Salvador (BA) produces artistic works that blur the lines between scenic languages and modes of production, until ...
Jacyan Castilho de Oliveira
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