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Fragments of Trade and Consumption: Plant Macroremains from the Boa Vista Ships in Lisbon. [PDF]

open access: yesJ Marit Archaeol
Costa Rodrigues M   +4 more
europepmc   +1 more source

Domestic Photo-Archives of Coastal Andhra

open access: yesIconic Research and Engineering Journals
openaire   +1 more source
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Photo Archives in Linked Open Data – The Federico Zeri’s Archive Case Study

Lecture Notes in Computer Science, 2017
Art historical photo archives that want to expose their data in Linked Open Data need to rely on shareable models. Merging possibly contradictory information may affect data reliability. In this paper are introduced two ontologies, i.e. F Entry Ontology and OA Entry Ontology, which provide a complete description of items related to Photography and Arts
Marilena Daquino
exaly   +3 more sources

PHOcus

Proceedings of the VLDB Endowment, 2022
Our ability to collect data is rapidly outstripping our ability to effectively store and use it. Organizations are therefore facing tough decisions of what data to archive (or dispose of) to effectively meet their business goals. PHOcus addresses this problem in the context of image data (photos) by proposing which photos to archive to meet an online ...
Susan B. Davidson   +4 more
openaire   +1 more source

The UNRWA Film and Photo Archive

Photography and Culture, 2021
The digitization of archival photographic records is usually celebrated as a process that makes them accessible to multiple audiences who might have otherwise not been able to examine them so easil...
openaire   +1 more source

Applying relevance feedback to a photo archival system

Journal of Information Science, 1992
Relevance feedback techniques have been success fully applied to document retrieval systems (DRS) to refine queries and document representations. This paper represents a first attempt to apply and optimise relevance feedback techniques to improve retrieval in a text-based image archival system.
Rosanne Price   +2 more
openaire   +2 more sources

Why Photo-Archives

2016
This chapter argues that photographs are important yet neglected cultural artifacts that can lay bear technologies of modern power and the making of citizen subjects. Photographs serve as visual entries into U. S. history, curriculum and policy, and their broader interrelationships with colonialism, diaspora, race, ethnicity, patriarchy, class, and ...
openaire   +1 more source

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