Results 71 to 80 of about 309,360 (209)
, 2018 In lieu of an abstract, here is the essay\u27s first two paragraphs: In How We Got Here (2000), David Frum plumbed the 1970s for essential truths about contemporary American life, seeing in that decade the engines of economic and social transformation ...
Rice, Mark
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An interview with Geoffrey Batchen
Acervo, 2019 Geoffrey Batchen is Professor of Art History at Victoria University of Wellington in New Zealand. His next book is titled Apparitions: photography and dissemination (Power Publications, 2019).
Claudia Beatriz Heynemann +1 more
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L’appareil éditorial au service de la photographie
FocalesA "new photographic edition" can be recognized by its spirit and the way it conveys its subject: photography. Obviously artistic, this photographic writing is built upon three pillars: the publisher's website, a true showcase for these works, where the ...
Pascal Krajewski
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We are experienced! Jimi Hendrix in historical perspective [PDF]
, 2016 This article reflects on the decision of the Paris Tribunal de Grande Instance concerning copyright protection for a photograph of Jimi Hendrix by Gered Mankowitz (Bowstir Limited and Gered Mankowitz v.
Cooper, Elena
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Economy: photographs of the Elephant and Castle [PDF]
, 2012 Economy: the Elephant and Castle was the third part of a three-part work in book and exhibition format and entitled The Elephant Vanishes. Patrick Sutherland is Director of The Elephant Vanishes, a long-term photographic documentation of the ...
Sutherland, Patrick
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Expressions, Spring 2014 [PDF]
, 2014 College of Humanities and the Arts Newsletter, Volume
San Jose State University, College of the Humanities and the Arts
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Folklor/Edebiyat, 2018 This work focuses on the relationship between photography and literary text. In 2003, Orhan Pamuk published his book named Istanbul-Hatıralar ve Şehir with 200 photographs, but later the book added 230 more photographs and enlarged its dimensions and ...
Pelin Erdal Aytekin
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, 2018 My Eyes Due See is a multidimensional examination of the “black experience” in America. The installation is composed of a single-channel video, a music composition that utilizes music samples and live instrumentation, and sculptures made up of car parts ...
Barfield, Johannes J
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