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Afterimage, 2007
OLIVER CHANARIN AND ADAM BROOMBERG: FIG. JOHN HANSARD GALLERY UNIVERSITY OF SOUTHAMPTON, ENGLAND FEBRUARY 6-MARCH 31, 2007 In the first half of the twentieth century, photography became an integral element of newspapers and magazines, with photojournalists effectively dispatching artist reporters to the rubbish bin of history. For some time, there have
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OLIVER CHANARIN AND ADAM BROOMBERG: FIG. JOHN HANSARD GALLERY UNIVERSITY OF SOUTHAMPTON, ENGLAND FEBRUARY 6-MARCH 31, 2007 In the first half of the twentieth century, photography became an integral element of newspapers and magazines, with photojournalists effectively dispatching artist reporters to the rubbish bin of history. For some time, there have
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Reflections on Photojournalism
2013Before digging deeper into photographic constructions of participant witnesses, it is necessary to look at the issue from a different angle and sketch some of the challenges photographic image production is currently facing. Thus, the focus in this chapter is on the photographer, not on the spectator, but, as will soon become clear, it is increasingly ...
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