Results 41 to 50 of about 586 (171)
The Pedagogy of the Pentateuch: The Undergraduate Classroom at a Large State University
Teaching Theology &Religion, Volume 28, Issue 2, Page 62-65, July 2025.ABSTRACT In response to the three questions suggested for this symposium on the pedagogy of the Pentateuch, I focus here less on what we teach and instead emphasize the values within our discipline. Students need to learn how to read the Bible as part of the humanities: as the work of thinkers who were reflecting on their place in the world and ...
Bernard M. Levinson
wiley +1 more source
A colagem, como estruturadora da imagem da obra dramática de Pablo Picasso: o desejo pego pelo rabo
Sinais de Cena, 2020 Este trabalho é dedicado ao estudo das correlações entre o dramático e discurso pictórico presente no texto dramatúrgico de Pablo Picasso "O desejo apanhados pela cauda".
Ana Lúcia Brasil Malecha
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Some Early Celestina Drawings by Picasso
Celestinesca, 2006 En este artículo se presentan algunos dibujos de Celestina de Pablo Picasso pertenecientes a su primera época artística. Francisco Rico dio información sobre los primeros años de escolarización de Picasso en La Coruña y también examinó los libros de ...
Carol Salus
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PTSI: A Person × Task × Situation Interaction Theory of Creativity
The Journal of Creative Behavior, Volume 59, Issue 2, June 2025.ABSTRACT This article presents the PTSI (Person × Task × Situation Interaction) theory of creativity. The theory deals with the creative person, the deployment of creativity in tasks, the ecological context in which this deployment takes place, and the types of creative products that result. The theory draws upon a wide range of previous work.
Robert J. Sternberg
wiley +1 more source
Pabellón Pablo Picasso - Champagne s/Seine – Francia
Informes de la Construccion, 1976 Este pabellón, destinado a centro cultural, deportivo y de expansión, tiene la forma de un tronco de pirámide rectangular de 5,80 m de altura. Consta de: planta baja con hall, una gran sala que ocupa toda la altura del edificio, un local deportivo, y los
P. Bayonne
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Pablo Picasso and the Truth of Greek Art [PDF]
Athens Journal of Humanities & Arts, 2014 In a brilliant article for the exhibition Picasso and Greece, organized by the Basil and Elise Goulandris Foundation at the Museum of Contemporary Art, Andros in 2004, Niki Loizidi, Professor of Art History at the University of Thessaloniki discusses the
Enrique Mallen
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Nodes, Edges, and Artistic Wedges: A Survey on Network Visualization in Art History
Computer Graphics Forum, Volume 44, Issue 3, June 2025.Abstract Art history traditionally relies on qualitative methods. However, the increasing availability of digitized archives has opened new possibilities for research by integrating visual analytics. This survey presents a comprehensive review of the intersection between art history and visual analytics, focusing on network visualization and how it ...
Michaela Tuscher +4 more
wiley +1 more source
Journal of Applied Philosophy, Volume 42, Issue 2, Page 668-682, May 2025.ABSTRACT Workism is the phenomenon of people making their work the primary source of meaning and identity in their life. Recent critics of workism have argued that there is a growing trend towards it in many societies and that this is a bad thing. This article brings a philosophical perspective to the debate on workism. It develops a precise account of
Matthew Hammerton
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Las vanguardias artísticas y su deseo: oscilación estética de la contradicción
Kipus: Revista Andina de Letras y Estudios Culturales, 2019 La comprensión de las relaciones y las representaciones sociales se da en el reconocimiento de sus articulaciones y contradicciones, tanto internas como con su entorno. Un análisis de las vanguardias artísticas del siglo XX, debe considerar la coyuntura
Sebastian Terán Ávalos
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Lírica Cruel, (A propósito de La Planchadora de Picasso)
Fedro, 2020 Empezaré con la historia de un desencuentro: el que hubo entre Pablo Ruiz Picasso y Marcel Duchamp. Nunca hubo entre ellos afinidad ni simpatía. Pero no voy a profundizar en él, porque lo cito sólo para que sirva de trasfondo al juicio que de Picasso ...
Juan Bosco Díaz-Urmeneta
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