Results 41 to 50 of about 230 (89)
Pablo Picasso and the Truth of Greek Art [PDF]
Athens Journal of Humanities & Arts, 2014 In a brilliant article for the exhibition Picasso and Greece, organized by the Basil and Elise Goulandris Foundation at the Museum of Contemporary Art, Andros in 2004, Niki Loizidi, Professor of Art History at the University of Thessaloniki discusses the
Enrique Mallen
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Nodes, Edges, and Artistic Wedges: A Survey on Network Visualization in Art History
Computer Graphics Forum, Volume 44, Issue 3, June 2025.Abstract Art history traditionally relies on qualitative methods. However, the increasing availability of digitized archives has opened new possibilities for research by integrating visual analytics. This survey presents a comprehensive review of the intersection between art history and visual analytics, focusing on network visualization and how it ...
Michaela Tuscher +4 more
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Medicina, 1984 <p>Muchos de nuestros amables lectores nos han preguntado acerca de la portada del número anterior, en la cual presentamos un cuadro poco conocido de Pablo Ruiz Picasso. Su estilo clásico sorprendió a quienes están acostumbrados a reconocer el arte
Alvaro López Pardo
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Pabellón Pablo Picasso - Champagne s/Seine – Francia
Informes de la Construccion, 1976 Este pabellón, destinado a centro cultural, deportivo y de expansión, tiene la forma de un tronco de pirámide rectangular de 5,80 m de altura. Consta de: planta baja con hall, una gran sala que ocupa toda la altura del edificio, un local deportivo, y los
P. Bayonne
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Journal of Applied Philosophy, Volume 42, Issue 2, Page 668-682, May 2025.ABSTRACT Workism is the phenomenon of people making their work the primary source of meaning and identity in their life. Recent critics of workism have argued that there is a growing trend towards it in many societies and that this is a bad thing. This article brings a philosophical perspective to the debate on workism. It develops a precise account of
Matthew Hammerton
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Las vanguardias artísticas y su deseo: oscilación estética de la contradicción
Kipus: Revista Andina de Letras y Estudios Culturales, 2019 La comprensión de las relaciones y las representaciones sociales se da en el reconocimiento de sus articulaciones y contradicciones, tanto internas como con su entorno. Un análisis de las vanguardias artísticas del siglo XX, debe considerar la coyuntura
Sebastian Terán Ávalos
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Lírica Cruel, (A propósito de La Planchadora de Picasso)
Fedro, 2020 Empezaré con la historia de un desencuentro: el que hubo entre Pablo Ruiz Picasso y Marcel Duchamp. Nunca hubo entre ellos afinidad ni simpatía. Pero no voy a profundizar en él, porque lo cito sólo para que sirva de trasfondo al juicio que de Picasso ...
Juan Bosco Díaz-Urmeneta
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Arte, Individuo y Sociedad, 2014 When the Mona Lisa was stolen in 1911 by the Italian handyman Vincenzo Peruggia, both Pablo Picasso and Guillaume Apollinaire were brought in by the Paris police for questioning.
Noah Charney
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Something AI Should Tell You – The Case for Labelling Synthetic Content
Journal of Applied Philosophy, Volume 42, Issue 1, Page 272-286, February 2025.ABSTRACT Synthetic content, which has been produced by generative artificial intelligence, is beginning to spread through the public sphere. Increasingly, we find ourselves exposed to convincing ‘deepfakes’ and powerful chatbots in our online environments. How should we mitigate the emerging risks to individuals and society?
Sarah A. Fisher
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DE PICASSO A PEDRO AMÉRICO: ENSINANDO A HEMOSTASIA SECUNDÁRIA ATRAVÉS DE PINTURAS CLÁSSICAS
Hematology, Transfusion and Cell TherapyIntrodução: O ensino da fisiologia da hemostasia é um desafio nos cursos de graduação de saúde. Por ser um tema de natureza eminentemente teórico com grande densidade de conteúdo e necessidade de memorização, há uma natural aversão pela maioria dos ...
LFB Botelho
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