Pre-Islamic Symbols in Pictorial Carpets of Iranian Kings [PDF]
Introduction: Many Iranian carpets with motifs of pre-Islamic mythological kings are available in museums, almost all of which have the same structure.
Azadeh Pashotanizade
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Recognition of Kerman Pictorial Carpet (Qajar and Pahlavi) [PDF]
Kerman province is one of the most important centers of carpet producing in Iran, where its rugs have a special design and pattern different from other areas in Iran.
E. Saffaran, Gh. Hatam, parisa yahyavi
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The study of lyric poetry in Qajar pictorial carpets (Case study: stories of Bahram Gūr) [PDF]
Pictorial carpets form a relatively large part of Qajar carpets and significant numbers of them illustrate rich Persian poetry and literature. By using inscriptions, this concept had been manifested in many of Qajar pictorial rugs.
lale ahani +2 more
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Study of Formation Backgrounds of Inter-hybrid Camel Motifs in the Qajar Period Rugs and Their Influence from Other Arts [PDF]
The Inter-hybrid camel is one of the types of composite creatures in Iranian art. This composite creature has an important distinction with other composite creatures such as Sphinx, Griffin and others.
Zahra Shoghi, Mehdi Keshavarz Afshar
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Mythical Idealism in Semiotics Analysis of Hoshangshahi Rugs of the Qajar Era [PDF]
Introduction In Iranian carpet weaving, one of the most attractive and popular developments in design style is the beginning of the illustration movement in the thirteenth century (AH).
Iman zakariaee kermani +1 more
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Reflection of Women’s Portraits in Pictorial Carpets of Qajar Era [PDF]
Social researchers believe that since the production, distribution, and consumption of works of art occur by humans in the social contexts, they cannot be immune to the impacts of social variables; you can see the latent and visible traces of social ...
Abdollah Mirzaei, Fateme Bagherizadeh
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A Critical Review of A Buenos Aires Collection (Rugs and Art Tribal Bird Rugs and Others) [PDF]
Arab Jinni’s carpet is an example of Suleimani’s carpets. This carpet has primitive images and symbolic motifs. This sample of Suleiman carpets has different characteristics than visual/pictorial carpets.
Azadeh Pashootanizadeh
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A Comparative Analysis of Themes and Concepts and Composition of Safavid Sangeško Rug and the Qajar Rug [PDF]
Iranian rug is one of the most precious and ancient arts in Iranian culture and art history. Safavid era was the utmost of outstanding blossoming of rug weaving art in Iran.
Samad Najarpoor Jabbary +2 more
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Reading and Analysis of the Elements of the Carpet Named “The Story of Majles-e Zulaikha and Yousef” Woven in Tehran based on Genette’s Theory of Transtextuality [PDF]
Different literary theories represent various approaches and systems that have been used for the past one or two centuries to read, to analyze, and to interpret verbal and visual texts and intertextual relationships in literary and artistic works and to ...
Mohammad Afrough
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A Presentation and Classification of Pictorial Carpets of Qajar Era
As one of Iranian cultural industries, carpet owns an ancient background and archaism. Primarily, it has been created due to the needs. Iranian hand-made carpet, as a symbol of Iranian art, which is culturally and nationally so important, through the years it has been a suitable bed for emanation of beliefs and credence of local artists, which its ...
Laleh Ahani +2 more
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