Results 261 to 270 of about 41,084 (293)
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1997
In this chapter, we return to some of the more fundamental issues surrounding pictures. We draw on the terms we have developed to look back at the material we have studied. The goal is to shed more light on the relationship between pictures and language.
Christine Strothotte, Thomas Strothotte
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In this chapter, we return to some of the more fundamental issues surrounding pictures. We draw on the terms we have developed to look back at the material we have studied. The goal is to shed more light on the relationship between pictures and language.
Christine Strothotte, Thomas Strothotte
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A compiled picture language on Macintosh
Proceedings of the 1986 ACM SIGSMALL/PC symposium on Small systems - SIGSMALL '86, 1986A visual programming language for Macintosh personal computer system is introduced. In this language both programs and data are pictures. Keyboardless programming is the main goal of the language design. The language is designed for novice users such as school children.
J. W. Choi, T. D. Kimura
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PLANG—A picture language schema for a class of pictures
Pattern Recognition, 1983Abstract A picture language for a class of pictures made up of line-like curvilinear elements is presented. The description generated is natural and highly expressive. The description schema is shown to be capable of generating real-life pictures, interpreting pictures with real-life deformations and revealing structural information present in the ...
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Communication complexity tools on recognizable picture languages [PDF]
Theoretical Computer Science, 2019 International audienceThe paper deals with the class REC of recognizable picture languages, UREC its unambiguous variant and co-REC the complement class of REC. The aim of this paper is twofold: First, the paper focuses on some necessary conditions for a
Terrier, Véronique
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Stochastic languages for picture analysis
Computer Graphics and Image Processing, 1973The concept of stochastic languages is introduced and major results are briefly reviewed. The use of stochastic languages for the description of noisy (ambiguous) pictorial patterns is demonstrated. A procedure for the estimation of production probabilities of a stochastic context-free language from sample strings is presented.
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Church-Rosser Picture Languages and Their Applications in Picture Recognition
J. Autom. Lang. Comb., 2011Journal of Automata, Languages and Combinatorics, Volume 16, Numbers 2-4, 2011, 165 ...
Hartmut Messerschmidt, Martin Stommel
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2005
A picture is a connected set of axis parallel unit lines from the Cartesian plane considered as a square grid. A word over the alphabet {l,r,u,d} is a picture description in the sense that it represents a traversal of a picture where the interpretation of the symbols l,r,u,d is: l — go (and draw) one unit line to the left of the current point; r,u, and
Hermann A. Maurer +2 more
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A picture is a connected set of axis parallel unit lines from the Cartesian plane considered as a square grid. A word over the alphabet {l,r,u,d} is a picture description in the sense that it represents a traversal of a picture where the interpretation of the symbols l,r,u,d is: l — go (and draw) one unit line to the left of the current point; r,u, and
Hermann A. Maurer +2 more
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Picture Languages Generated by Assembling Tiles
Fundamenta Informaticae, 2009We propose a new formalism for generating picture languages based on an assembly mechanism of tiles that uses rules having a context and a replacement site. More precisely, a picture language will be generated from a finite set of initial pictures by iteratively applying rewriting rules from a given finite set of rules, called a tiling rule system ...
BONIZZONI, PAOLA +3 more
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P Systems and Picture Languages
2007Array-rewriting P systems were introduced in [2] linking the two areas of membrane computing and picture grammars. Subsequently a variety of P systems with array objects and different kinds of rewriting has been introduced. Here we discuss a few prominent systems among these, point out their features and indicate possible problems for future study.
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Abstract This chapter examines the Renaissance interest in hieroglyphics, and connects this interest to Philip Pullman’s creation of the dæmon. Knowledge of ancient Egyptian hieroglyphics, a writing system that had endured for millennia, was lost during the late Roman empire.
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