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Pinter as Poet, Pinter as Politician
The Harold Pinter Review, 2020 Abstract Widely celebrated as one of the greatest playwrights of the second half of the twentieth century, the playwright Harold Pinter is rarely maligned. Pinter's poetry, however, is often sidestepped, with critics generally regarding it as lacking the deftness of his drama.
Jeffery, Lucy
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Viva Pinter: Harold Pinter's Spirit of Resistance
, 2009 In his Nobel speech, entitled Art, Truth and Politics, Harold Pinter explained how he was fighting against the «tapestry of lies». It is indeed those daily lies, lies of love or of state, that are exposed in this book, which emphasises his political agenda.
Gauthier, Brigitte
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Proceedings of the 2012 ACM international conference on Intelligent User Interfaces, 2012
The dominant interaction paradigm in Interactive Storytelling (IS) systems so far has been active interventions by the user by means of a variety of modalities. PINTER is an IS system that uses physiological inputs - surface electromyography (EMG) and galvanic skin response (GSR) [1] - as a form of passive interaction, opening up the possibility of the
Stephen W. Gilroy +3 more
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The dominant interaction paradigm in Interactive Storytelling (IS) systems so far has been active interventions by the user by means of a variety of modalities. PINTER is an IS system that uses physiological inputs - surface electromyography (EMG) and galvanic skin response (GSR) [1] - as a form of passive interaction, opening up the possibility of the
Stephen W. Gilroy +3 more
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The Elite Pinter and the Pinter Elite
2021On 27 October 2017 a letter that Harold Pinter had written to Tom Stoppard in 2001 went ‘viral’ on Twitter, with Pinter’s rebuff that he would ‘rather die’ than attend a fundraising dinner at a ‘top London restaurant’. The tweet attracted over 18,000 ‘likes’. Though many clearly identified with his characteristic frankness, Pinter’s
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Modern Drama, 1967
EVERYBODY RECOGNIZES THAT MODERN THEATER IS PUNY, compared to the real thing of the past; it presents a puny species of human who has no incentive for character development and no notion of what he exists for. But in the hands of a genuine artist this negative seeming substance can be used, if not to embody any great principles, at least to set loose ...
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EVERYBODY RECOGNIZES THAT MODERN THEATER IS PUNY, compared to the real thing of the past; it presents a puny species of human who has no incentive for character development and no notion of what he exists for. But in the hands of a genuine artist this negative seeming substance can be used, if not to embody any great principles, at least to set loose ...
openaire +1 more source