Results 301 to 310 of about 850,880 (330)
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Journal of Neurophysiology, 1996
1. The neural correlates of low pitches produced by complex tones were studied by analyzing temporal discharge patterns of auditory nerve fibers in Dial-anesthetized cats. In the previous paper it was observed that, for harmonic stimuli, the most frequent interspike interval present in the population of auditory nerve fibers always corresponded to the
Peter Cariani, Bertrand Delgutte
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1. The neural correlates of low pitches produced by complex tones were studied by analyzing temporal discharge patterns of auditory nerve fibers in Dial-anesthetized cats. In the previous paper it was observed that, for harmonic stimuli, the most frequent interspike interval present in the population of auditory nerve fibers always corresponded to the
Peter Cariani, Bertrand Delgutte
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2012
This article discusses pitch perception, beginning with a brief introduction to the function of the auditory system. It considers what limitations there are on our ability to extract frequency information from the sounds reaching our ears, and provides an orientation for some of the mechanisms described in the later sections.
Ian Cross, Thomas H. Stainsby
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This article discusses pitch perception, beginning with a brief introduction to the function of the auditory system. It considers what limitations there are on our ability to extract frequency information from the sounds reaching our ears, and provides an orientation for some of the mechanisms described in the later sections.
Ian Cross, Thomas H. Stainsby
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Neural correlates of the pitch of complex tones. I. Pitch and pitch salience
Journal of Neurophysiology, 19961. The temporal discharge patterns of auditory nerve fibers in Dial-anesthetized cats were studied in response to periodic complex acoustic waveforms that evoke pitches at their fundamental frequencies. Single-formant vowels, amplitude-modulated (AM) and quasi-frequency-modulated tones.
Peter Cariani, Bertrand Delgutte
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Pitch Transition and Pitch Stability
2017The pitch is the fundamental parameter for understanding objectively various aspect of melodic music. A pitch contour describes a series of relative pitch transitions adjoining the abstractions of a sequence of steady states called notes. While the quasi stationary states in the dynamics of pitch in Indian music have been elaborately discussed in other
Kartik Mahto +5 more
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The Journal of the Acoustical Society of America, 1962
The residue is defined as the joint perception of a number of Fourier components. Depending on circumstances outside the scope of this paper, it has a pronounced pitch. The consequences of this phenomenon for the theory of hearing are briefly reviewed in the light of past experiments.
J. F. Schouten +2 more
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The residue is defined as the joint perception of a number of Fourier components. Depending on circumstances outside the scope of this paper, it has a pronounced pitch. The consequences of this phenomenon for the theory of hearing are briefly reviewed in the light of past experiments.
J. F. Schouten +2 more
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The Influence of Pitch-by-Pitch Feedback on Neural Activity and Pitch Perception in Baseball
Journal of Sport and Exercise Psychology, 2019This study was designed to examine the influence of performance feedback on task performance and neural activity in expert and novice baseball players. Participants completed a video task to determine whether thrown pitches were balls or strikes while their neural activity was recorded. After each pitch, participants were given feedback on the accuracy
Jason R. Themanson +3 more
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2018
This chapter addresses sensation and perception of pitch mainly from a functional perspective. Anatomical and physiological facts concerning the auditory pathway are provided to the extent necessary to understand excitation processes resulting from sound energy in the middle ear as well as within the cochlea.
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This chapter addresses sensation and perception of pitch mainly from a functional perspective. Anatomical and physiological facts concerning the auditory pathway are provided to the extent necessary to understand excitation processes resulting from sound energy in the middle ear as well as within the cochlea.
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Perception, 1982
The way we interpret a given set of sensory stimuli can depend very strongly on our choice of cues. The resulting ambiguity is particularly familiar in visual perception, and underlies many well-known visual illusions. It is shown that comparable ambiguities exist in the field of hearing, particularly pitch perception.
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The way we interpret a given set of sensory stimuli can depend very strongly on our choice of cues. The resulting ambiguity is particularly familiar in visual perception, and underlies many well-known visual illusions. It is shown that comparable ambiguities exist in the field of hearing, particularly pitch perception.
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Perceptual and Motor Skills, 1968
This paper describes a new method of quantitative determination of taste. In a special experimental situation S compares taste and pure tones. The latter are varied in pitch until S finds the pitch which characterizes the sample. The method is illustrated by results for two samples, Carlsberg Lager and Carlsberg Elephant Beer.
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This paper describes a new method of quantitative determination of taste. In a special experimental situation S compares taste and pure tones. The latter are varied in pitch until S finds the pitch which characterizes the sample. The method is illustrated by results for two samples, Carlsberg Lager and Carlsberg Elephant Beer.
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Pitch coding and pitch processing in the human brain
Hearing Research, 2014Neuroimaging studies have provided important information regarding how and where pitch is coded and processed in the human brain. Recordings of the frequency-following response (FFR), an electrophysiological measure of neural temporal coding in the brainstem, have shown that the precision of temporal pitch information is dependent on linguistic and ...
Plack, Christopher J. +2 more
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