Results 301 to 310 of about 897,383 (331)
Some of the next articles are maybe not open access.
Pitch Transition and Pitch Stability
2017The pitch is the fundamental parameter for understanding objectively various aspect of melodic music. A pitch contour describes a series of relative pitch transitions adjoining the abstractions of a sequence of steady states called notes. While the quasi stationary states in the dynamics of pitch in Indian music have been elaborately discussed in other
Asoke Kumar Datta +5 more
openaire +1 more source
“Periodicity” Pitch and “Place” Pitch
The Journal of the Acoustical Society of America, 1954In the year of the founding of the Acoustical Society of America, Wever and Bray observed periodic “volleys” of impulses in the auditory nerve. Since that time, the theory of pitch perception—particularly, whether pitch depends upon the frequency of the discharges or upon the locus of the active neural tissue—has been one of the most active issues in ...
openaire +1 more source
2018
This chapter addresses sensation and perception of pitch mainly from a functional perspective. Anatomical and physiological facts concerning the auditory pathway are provided to the extent necessary to understand excitation processes resulting from sound energy in the middle ear as well as within the cochlea.
openaire +1 more source
This chapter addresses sensation and perception of pitch mainly from a functional perspective. Anatomical and physiological facts concerning the auditory pathway are provided to the extent necessary to understand excitation processes resulting from sound energy in the middle ear as well as within the cochlea.
openaire +1 more source
Music Perception, 2015
Two experiments investigated the role of pitch-related information in tonality induction. In both experiments, participants were asked to: 1) identify (sing) the tonic of either an original sequence of tones or a distorted version in which pitch class distribution was preserved but pitch class ordering, pitch contour, and/or pitch proximity were ...
openaire +1 more source
Two experiments investigated the role of pitch-related information in tonality induction. In both experiments, participants were asked to: 1) identify (sing) the tonic of either an original sequence of tones or a distorted version in which pitch class distribution was preserved but pitch class ordering, pitch contour, and/or pitch proximity were ...
openaire +1 more source
2007
Abstract Bernard Dudot, Renault Sport’s engine designer, once explained the complex process by which one [Formula I] team worked out how many revs per minute another team’s engine achieved. It entailed making a recording of the rival car at maximum speed and comparing its frequency to the frequency of his own engine.
openaire +2 more sources
Abstract Bernard Dudot, Renault Sport’s engine designer, once explained the complex process by which one [Formula I] team worked out how many revs per minute another team’s engine achieved. It entailed making a recording of the rival car at maximum speed and comparing its frequency to the frequency of his own engine.
openaire +2 more sources
1998
Abstract The aim in this chapter is first to consider pitching notes accurately, in tune, and incidentally some approximation to perfect pitch. Then we shall consider pitches sounded together in chords, creating an infinite variety of timbre and density.
openaire +1 more source
Abstract The aim in this chapter is first to consider pitching notes accurately, in tune, and incidentally some approximation to perfect pitch. Then we shall consider pitches sounded together in chords, creating an infinite variety of timbre and density.
openaire +1 more source
Lower Limits of Pitch and Musical Pitch
Journal of Speech and Hearing Research, 1962N, GUTTMAN, S, PRUZANSKY
openaire +2 more sources