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The Journal of the Acoustical Society of America, 2011
Pitch is the characteristic of sound that varies from low to high. For example, the pitch of a man’s voice is low, while the pitch of a child’s voice is high. Sounds produced by different sources, such as a musical instrument or a person speaking, sound different, but still share the same pitch.
Lynne Werner +3 more
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Pitch is the characteristic of sound that varies from low to high. For example, the pitch of a man’s voice is low, while the pitch of a child’s voice is high. Sounds produced by different sources, such as a musical instrument or a person speaking, sound different, but still share the same pitch.
Lynne Werner +3 more
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Perception of pitch by goldfish
Hearing Research, 2005Classical conditioning and stimulus generalization methods have revealed much about the sense of hearing in non-human animals, and are now used here to investigate how goldfish perceive a variety of complex sounds, including multi-harmonic complexes and rippled noise (RN).
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Periodicity and pitch perception
The Journal of the Acoustical Society of America, 1991There has been experimental evidence pointing to at least two pitch mechanisms, the first involving low-order harmonics that are resolved along the basilar membrane, and the second a periodicity mechanism that depends only on the repetition rate of the time waveform on the basilar membrane.
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ICASSP '86. IEEE International Conference on Acoustics, Speech, and Signal Processing, 2005
Recently published data argue in favor of the hypothesis of a time-domain code in the representation of sound in the auditory nerve. This paper describes a pitch perception model based on such a code, and relates it's behaviour to pitch theory. The model accounts for the pitch of complex tones, and correctly predicts pitch shifts and phase effects.
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Recently published data argue in favor of the hypothesis of a time-domain code in the representation of sound in the auditory nerve. This paper describes a pitch perception model based on such a code, and relates it's behaviour to pitch theory. The model accounts for the pitch of complex tones, and correctly predicts pitch shifts and phase effects.
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Experimental Brain Research, 2006
Sensory saltation is a spatiotemporal illusion in which the location of a brief stimulus is displaced towards a subsequent one following closely in time and space. This study investigated in three experiments whether or not saltation is present in spectral pitch, a non-spatial dimension. Employing the "symmetrical-rabbit" paradigm, listeners judged the
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Sensory saltation is a spatiotemporal illusion in which the location of a brief stimulus is displaced towards a subsequent one following closely in time and space. This study investigated in three experiments whether or not saltation is present in spectral pitch, a non-spatial dimension. Employing the "symmetrical-rabbit" paradigm, listeners judged the
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A unitary model of pitch perception
The Journal of the Acoustical Society of America, 1997A model of the mechanism of residue pitch perception is revisited. It is evaluated in the context of some new empirical results, and it is proposed that the model is able to reconcile a number of differing approaches in the history of theories of pitch perception. The model consists of four sequential processing stages: peripheral frequency selectivity,
R, Meddis, L, O'Mard
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Dead regions and pitch perception
The Journal of the Acoustical Society of America, 2005The perception of pitch for pure tones with frequencies falling inside low- or high-frequency dead regions (DRs) was examined. Subjects adjusted a variable-frequency tone to match the pitch of a fixed tone. Matches within one ear were often erratic for tones falling in a DR, indicating unclear pitch percepts.
Martina, Huss, Brian C J, Moore
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Perceived continuity and pitch perception
The Journal of the Acoustical Society of America, 2000Three experiments investigated the importance of perceived stimulus continuity for the perception of the fundamental frequency (F0) of an unresolved complex tone. The F0 of the complex was 250 Hz and the harmonics were bandpass filtered between 5500 and 7500 Hz.
Plack, Christopher J.; id_orcid 0000-0002-2987-5332 +1 more
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The Influence of Pitch-by-Pitch Feedback on Neural Activity and Pitch Perception in Baseball
Journal of Sport and Exercise Psychology, 2019This study was designed to examine the influence of performance feedback on task performance and neural activity in expert and novice baseball players. Participants completed a video task to determine whether thrown pitches were balls or strikes while their neural activity was recorded. After each pitch, participants were given feedback on the accuracy
Jason R, Themanson +3 more
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