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Cancellation model of pitch perception
The Journal of the Acoustical Society of America, 1998A model of pitch perception is presented involving an array of delay lines and inhibitory gating neurons. In response to a periodic sound, a minimum appears in the pattern of outputs of the inhibitory neurons at a lag equal to the period of the sound. The position of this minimum is the cue to pitch. The model is similar to the autocorrelation model of
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ICASSP '86. IEEE International Conference on Acoustics, Speech, and Signal Processing, 2005
Recently published data argue in favor of the hypothesis of a time-domain code in the representation of sound in the auditory nerve. This paper describes a pitch perception model based on such a code, and relates it's behaviour to pitch theory. The model accounts for the pitch of complex tones, and correctly predicts pitch shifts and phase effects.
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Recently published data argue in favor of the hypothesis of a time-domain code in the representation of sound in the auditory nerve. This paper describes a pitch perception model based on such a code, and relates it's behaviour to pitch theory. The model accounts for the pitch of complex tones, and correctly predicts pitch shifts and phase effects.
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The Journal of the Acoustical Society of America, 1997
Although most of Dix Ward’s publications were concerned with the effects of noise on hearing, his first love was music perception. The publication derived from his doctoral dissertation, ‘‘Subjective musical pitch’’ [J. Acoust. Soc. Am. 26, 369–380 (1954)], is one of the seminal works in the area, as is his treatise on absolute pitch [Sound 2(3), 14–21
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Although most of Dix Ward’s publications were concerned with the effects of noise on hearing, his first love was music perception. The publication derived from his doctoral dissertation, ‘‘Subjective musical pitch’’ [J. Acoust. Soc. Am. 26, 369–380 (1954)], is one of the seminal works in the area, as is his treatise on absolute pitch [Sound 2(3), 14–21
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The Journal of the Acoustical Society of America, 1975
While listening to a violinist, the author noticed that as an accompaniment of hearing loss his perception of the higher pitches deviates from normal by a large musical interval. Pitch is perceived as of separate overlapping components, each with its own dependence of frequency.
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While listening to a violinist, the author noticed that as an accompaniment of hearing loss his perception of the higher pitches deviates from normal by a large musical interval. Pitch is perceived as of separate overlapping components, each with its own dependence of frequency.
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Integrative oncology: Addressing the global challenges of cancer prevention and treatment
Ca-A Cancer Journal for Clinicians, 2022Jun J Mao,, Msce +2 more
exaly
2nd European Conference on Speech Communication and Technology (Eurospeech 1991), 1991
T. Aarset, B. Gold
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T. Aarset, B. Gold
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1982
Physiological experiments show that information about frequency of tones is coded in two distinct ways in the auditory nerve. Nerve spikes can be distinguished as to when and where (in which nerve fiber) they occur. It is an old question whether the time or the place information plays a role in pitch perception.
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Physiological experiments show that information about frequency of tones is coded in two distinct ways in the auditory nerve. Nerve spikes can be distinguished as to when and where (in which nerve fiber) they occur. It is an old question whether the time or the place information plays a role in pitch perception.
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