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ICASSP '86. IEEE International Conference on Acoustics, Speech, and Signal Processing, 2005
Recently published data argue in favor of the hypothesis of a time-domain code in the representation of sound in the auditory nerve. This paper describes a pitch perception model based on such a code, and relates it's behaviour to pitch theory. The model accounts for the pitch of complex tones, and correctly predicts pitch shifts and phase effects.
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Recently published data argue in favor of the hypothesis of a time-domain code in the representation of sound in the auditory nerve. This paper describes a pitch perception model based on such a code, and relates it's behaviour to pitch theory. The model accounts for the pitch of complex tones, and correctly predicts pitch shifts and phase effects.
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The Journal of the Acoustical Society of America, 1997
Although most of Dix Ward’s publications were concerned with the effects of noise on hearing, his first love was music perception. The publication derived from his doctoral dissertation, ‘‘Subjective musical pitch’’ [J. Acoust. Soc. Am. 26, 369–380 (1954)], is one of the seminal works in the area, as is his treatise on absolute pitch [Sound 2(3), 14–21
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Although most of Dix Ward’s publications were concerned with the effects of noise on hearing, his first love was music perception. The publication derived from his doctoral dissertation, ‘‘Subjective musical pitch’’ [J. Acoust. Soc. Am. 26, 369–380 (1954)], is one of the seminal works in the area, as is his treatise on absolute pitch [Sound 2(3), 14–21
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The Journal of the Acoustical Society of America, 1975
While listening to a violinist, the author noticed that as an accompaniment of hearing loss his perception of the higher pitches deviates from normal by a large musical interval. Pitch is perceived as of separate overlapping components, each with its own dependence of frequency.
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While listening to a violinist, the author noticed that as an accompaniment of hearing loss his perception of the higher pitches deviates from normal by a large musical interval. Pitch is perceived as of separate overlapping components, each with its own dependence of frequency.
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2nd European Conference on Speech Communication and Technology (Eurospeech 1991), 1991
T. Aarset, B. Gold
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T. Aarset, B. Gold
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1982
Physiological experiments show that information about frequency of tones is coded in two distinct ways in the auditory nerve. Nerve spikes can be distinguished as to when and where (in which nerve fiber) they occur. It is an old question whether the time or the place information plays a role in pitch perception.
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Physiological experiments show that information about frequency of tones is coded in two distinct ways in the auditory nerve. Nerve spikes can be distinguished as to when and where (in which nerve fiber) they occur. It is an old question whether the time or the place information plays a role in pitch perception.
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Cancer Risk Elicitation and Communication: Lessons from the Psychology of Risk Perception
Ca-A Cancer Journal for Clinicians, 2007Michael E Stefanek
exaly
The neuronal representation of pitch in primate auditory cortex
Nature, 2005Daniel Bendor, Xiaoqin Wang
exaly