Results 181 to 190 of about 33,977 (248)
To flee or wait and see? Response of incubating white-browed scrubwrens to information about danger. [PDF]
Zhou Y, Radford AN, Magrath RD.
europepmc +1 more source
Multimodal analysis reveals hydrolysis as a shared mechanism in magnetic tape degradation
Harrison J +9 more
europepmc +1 more source
Some of the next articles are maybe not open access.
Related searches:
Related searches:
CHI '13 Extended Abstracts on Human Factors in Computing Systems, 2013
Overlapped Playback employs multiple real-time video sources and interlaced image frames to digitally translate and expand upon a classical analogue optical illusion. Users perceive animated effects by moving in front of a grid that partly obscures a composite image.
Hwang Hayeon, Romy Achituv
openaire +2 more sources
Overlapped Playback employs multiple real-time video sources and interlaced image frames to digitally translate and expand upon a classical analogue optical illusion. Users perceive animated effects by moving in front of a grid that partly obscures a composite image.
Hwang Hayeon, Romy Achituv
openaire +2 more sources
Applied Optics, 1977
Corrections for playback aperture effects in image digitizers are discussed theoretically.(AIP)
H J, Trussell, J R, Breedlove
openaire +2 more sources
Corrections for playback aperture effects in image digitizers are discussed theoretically.(AIP)
H J, Trussell, J R, Breedlove
openaire +2 more sources
Theater poster for the play "Playback" starring Lore Lorentz and Michael Quast features a watercolor and ink illustration of a small dresser with a teacup handle on its side and several distorted human faces coming out of the top.
Lenica, Jan
openaire +2 more sources
Emotion Review, 2012
Kathleen Higgins (2012) claims that emotional responses to music are mostly social constructs, derived from the cultural transmission of musical knowledge. I agree with this general idea, but question Higgins’ ethnocentric and narrow view, which reduces music mainly to the art of combining sounds to produce beauty of form and expression of emotion ...
openaire +2 more sources
Kathleen Higgins (2012) claims that emotional responses to music are mostly social constructs, derived from the cultural transmission of musical knowledge. I agree with this general idea, but question Higgins’ ethnocentric and narrow view, which reduces music mainly to the art of combining sounds to produce beauty of form and expression of emotion ...
openaire +2 more sources
Using playback to test leadership in mixed-species flocks and compare flocking with mobbing
Animal Behaviour, 2021Indika Peabotuwage, Kang Luo
exaly

