Results 151 to 160 of about 13,938 (218)
Dataset on Forest Bird Communities: Fragmentation Metrics & Manipulated Social Information Cues. [PDF]
Bełcik M, Pustkowiak S.
europepmc +1 more source
Influence of Specific Acoustic Parameters on Responses in Growing Pigs: Towards a Precision Auditory Enrichment Strategy. [PDF]
Wang Z +6 more
europepmc +1 more source
Brain-wide hierarchical and sexually dimorphic tuning for social vocalizations
Henninger J +10 more
europepmc +1 more source
Some of the next articles are maybe not open access.
Related searches:
Related searches:
CHI '13 Extended Abstracts on Human Factors in Computing Systems, 2013
Overlapped Playback employs multiple real-time video sources and interlaced image frames to digitally translate and expand upon a classical analogue optical illusion. Users perceive animated effects by moving in front of a grid that partly obscures a composite image.
Hwang Hayeon, Romy Achituv
openaire +1 more source
Overlapped Playback employs multiple real-time video sources and interlaced image frames to digitally translate and expand upon a classical analogue optical illusion. Users perceive animated effects by moving in front of a grid that partly obscures a composite image.
Hwang Hayeon, Romy Achituv
openaire +1 more source
Applied Optics, 1977
Corrections for playback aperture effects in image digitizers are discussed theoretically.(AIP)
H J, Trussell, J R, Breedlove
openaire +2 more sources
Corrections for playback aperture effects in image digitizers are discussed theoretically.(AIP)
H J, Trussell, J R, Breedlove
openaire +2 more sources
Emotion Review, 2012
Kathleen Higgins (2012) claims that emotional responses to music are mostly social constructs, derived from the cultural transmission of musical knowledge. I agree with this general idea, but question Higgins’ ethnocentric and narrow view, which reduces music mainly to the art of combining sounds to produce beauty of form and expression of emotion ...
openaire +2 more sources
Kathleen Higgins (2012) claims that emotional responses to music are mostly social constructs, derived from the cultural transmission of musical knowledge. I agree with this general idea, but question Higgins’ ethnocentric and narrow view, which reduces music mainly to the art of combining sounds to produce beauty of form and expression of emotion ...
openaire +2 more sources
Using playback to test leadership in mixed-species flocks and compare flocking with mobbing
Animal Behaviour, 2021, Indika Peabotuwage, Kang Luo
exaly

