Results 151 to 160 of about 7,096 (199)

Maternal exposure to titanium dioxide nanoparticles disrupts ultrasonic vocalization development in mouse offspring. [PDF]

Part Fibre Toxicol
Boulain M, Aktas T, Courtand G, Barrière G, Thoby-Brisson M, Morin D, Juvin L.   +6 more
europepmc   +1 more source

Brain-wide hierarchical and sexually dimorphic tuning for social vocalizations

Henninger J, Hoffmann M, Kadobianskyi M, Veith J, Berlage C, Groneberg A, Markov D, Schulze L, Svanidze A, Maler L, Judkewitz B.   +10 more
europepmc   +1 more source

Some of the next articles are maybe not open access.

Related searches:

A playback tool for reviewing VR experiences

Proceedings of the 23rd ACM Symposium on Virtual Reality Software and Technology, 2017
Designing a VR content is a challenging task due to the complexity of the analysis of a user's experience. We propose a tool allowing a reviewer to record a user's movements when consuming a VR content, and to playback this experience. During the playback, the reviewer can visualize in real-time the visible objects to the user (within the field of view)
Thomas Lopez, Olivier Dumas, Fabien Danieau, Bertrand Leroy, Nicolas Mollet, Jean-François Vial   +5 more
openaire   +2 more sources

Playback Experiments for Noise Exposure

2016
Playbacks are a useful tool for conducting well-controlled and replicated experiments on the effects of anthropogenic noise, particularly for repeated exposures. However, playbacks are unlikely to fully reproduce original sources of anthropogenic noise.
Sophie, Holles, Stephen D, Simpson, David, Lecchini, Andrew N, Radford   +3 more
openaire   +2 more sources

Pseudoreplication in playback experiments, revisited a decade later

Animal Behaviour, 2001
Correspondence: D. E. Kroodsma, Department of Biology, University of Massachusetts, Amherst, MA 01003, U.S.A. (e-mail: kroodsma@bio.umass.edu). About 10 years ago, several papers in Animal Behaviour addressed the quality of experimental designs in ‘playback’ experiments (Kroodsma 1989a, b, 1990a, 1992; Searcy 1989; Weary & Mountjoy 1992), and this ...
Kroodsma, DE, Byers, BE, Goodale, E, Johnson, S, Liu, WC   +4 more
openaire   +2 more sources

Design of Playback Experiments: The Thornbridge Hall NATO ARW Consensus

1992
Playback is an experimental technique commonly used to investigate the significance of signals in animal communication systems. It involves replaying recordings of naturally occurring or synthesised signals to animals and noting their response. Playback has made a major contribution to our understanding of animal communication, but like any other ...
Mcgregor, Peter, Catchpole, Clive, Dabelsteen, Torben, Falls, J. Bruce, Fusani, Leonida, Gerhardt, H. Carl, Gilbert, Francis, Horn, Andrew, Klump, Georg, Kroodsma, Donald, Lambrechts, Marcel M., Mccomb, Karen, Nelson, Douglas, Pepperberg, Irene, Ratcliffe, Laurene, Searcy, William, Weary, Daniel   +16 more
openaire   +4 more sources

Signals and assessment in African elephants: evidence from playback experiments

Animal Behaviour, 1999
A series of playback experiments using two elephant vocalizations, the 'musth rumble' and the 'oestrous call', was carried out in Amboseli National Park to examine signalling and assessment in African elephants, Loxodonta africana. In response to the musth rumble of a high-ranking male other musth males approached the speaker aggressively, whereas ...
openaire   +2 more sources

Conducting Playback Experiments and Interpreting their Results

1992
The aim of this chapter is to discuss factors to be considered in the design, execution and interpretation of playback experiments. Most of these factors will be of general concern, even though my examples will be drawn heavily from two-speaker designs with frogs and toads as subjects.
openaire   +1 more source

Recognition of familiarity on the basis of howls: a playback experiment in a captive group of wolves

Behaviour, 2015
Playback experiments were conducted with a pack of captive Iberian wolves. We used a habituation–discrimination paradigm to test wolves’ ability to discriminate howls based on: (1) artificial manipulation of acoustic parameters of howls and (2) the identity of howling individuals.
Palacios, Vicente, Font, Enrique, Márquez, Rafael, Carazo, P.   +3 more
openaire   +2 more sources