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At the end of his Adversus Colotem, Plutarch attacks the Epicurean view of politics (1124D-1127E). His starting point is a verbatim quotation from Colotes.
Geert Roskam
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The cultural dynamics of the term Hellanodikes in Palaiologan Byzantium [PDF]
In ancient Greek literature, Hellanodikai (Ἑλλανοδίκαι) were figures of public authority and high esteem, renown for their fair judgment, overseeing control, and morally transparent life.
Xenophontos, Sophia
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Plutarcho Aleksandras: interpretacijos problemos. Plutarch‘s Alexander: Problems of Interpretation [PDF]
Alexander‘ s character and his activities occupy a special position in the works of Plutarch. Alexander’s Life is the second largest life in the corpus, there are two elaborated speeches on him included into Moralia, and he is often mentioned in the ...
Nijolė Juchnevičienė
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Plutarch’s Hesiod: Tradition and Identity Formation in a Greco-Roman Context [PDF]
In Plutarch’s times Hesiod was still seen as the second founding father of Panhellenic culture and identity. For various reasons Plutarch held Hesiod in high esteem and played an important role in keeping the poet under the spotlight of paideia.
Peter Malisse
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Stoic Virtue: A Contemporary Interpretation [PDF]
The Stoic understanding of virtue is often taken to be a non-starter. Many of the Stoic claims about virtue – that a virtue requires moral perfection and that all who are not fully virtuous are vicious – are thought to be completely out of step with our ...
Siscoe, Wes
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The Death of Tragedy: The Form of God in Paul’s \u3cem\u3eCarmen Christi\u3c/em\u3e and Euripides’ Bacchae [PDF]
Scholarship on Phil 2:6–11 has long wrestled with the question of “interpretive staging.” While acknowledging that Jewish sapiential and apocalyptic literature as well as Roman apotheosis narratives provide important matrices for the hymn, the following ...
Cover, Michael
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Pseudo-Plutarch, O wychowaniu dzieci
nie ...
Tatiana Krynicka, Stanisław Longosz
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Comedy in Plutarch’s Parallel Lives [PDF]
Plutarch quotes Attic comedy as evidence, but he also uses both invective and stereotypes from comedy in order to illustrate and judge the character of his protagonists, as seen in the Lives of Demetrius, Antony, Pericles, and Fabius ...
Xenophontos, Sophia
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