Results 31 to 40 of about 209,624 (217)

Entre Ana Cristina Cesar, o nome e o texto

Boletim de Pesquisa NELIC, 2010
A partir da escritura de Ana Cristina Cesar e das relações entre poesia, leitor e crítica é possível armar o movimento que se dá e valida certos nomes em detrimento de outros para uma poesia dos anos 70 e que ainda hoje circula em revistas de poesia ...
Laíse Ribas Bastos
doaj   +1 more source

Modalitats de la ironia en la poesia lírica de Josep Maria de Sagarra [PDF]

, 2016
Resum: Aquest article analitza la poesia que Josep Maria de Sagarra va escriure durant els anys vint i trenta —exclosos El comte Arnau, Poema de Nadal i la poesia satírica— per descobrir-hi les raons de fons que hi propicien el joc irònic.
Sunyer Molné, Magí
core   +2 more sources

Leta Semadeni's Romansh‐German poetry: Poetic praxis between languages

Orbis Litterarum, EarlyView.
Abstract Swiss poet Leta Semadeni's award‐winning literary work is shaped in and through her bilingualism. Her poetry combines her ‘mother tongue’, the Romansh idiom Vallader, and her ‘first great love’, German. Her writing is shaped by a linguistic terseness and a layering of images of everyday experience with meditations on the deeper realities ...
Richard McClelland
wiley   +1 more source

Commemorating festive performances in popular print in sixteenth‐century Italy☆

Renaissance Studies, EarlyView.
Abstract The aim of this article is to show that the popular print sold and distributed during and after festive events, such as Carnival, had an impact on the commemoration and shaping of festive culture in early modern Italy. That is, the mass medium of print that had begun to shape European cultures, especially in Italy where Venice was one of ...
Rozanne Versendaal
wiley   +1 more source

Some observations on the poetical language of love songs in in the dialect of the Jbala (Northen Morocco) [PDF]

, 2006
Este articulo trata sobre canciones populares de tematica amorosa en dialecto arabe yebali. Para ello, nos serviremos de material adicional extraido de algunos dialectos arabes.
Gintsburg, Sarali
core   +2 more sources

Duas poéticas, dois olhares sobre o Barroco

Aletria: Revista de Estudos de Literatura, 1998
Resumo: Este ensaio pretende estudar relações existentes entre as poéticas de Affonso Ávila e Haroldo de Campos no contexto da poesia contemporânea, compreendendo o sentido que o Barroco adquiriu em suas produções criativas e críticas.
Rogério Barbosa da Silva
doaj   +1 more source

La poesia per a infants. Estat de la qüestió en llengua catalana [PDF]

, 2009
L’objectiu d’aquest article és presentar una aproximació a la poesia per a infants a partir d’un conjunt de reflexions sobre el gènere (que abraçaran àmbits, funcions, suports i canals de difusió), d’una proposta d’anàlisi ( on es tindrà en compte el ...
Prats Ripoll, Margarida
core   +1 more source

Sex and Prisons: Women and Spanish Penitentiary Reform, 1787‐1808

Journal for Eighteenth-Century Studies, Volume 42, Issue 4, Page 501-517, December 2019., 2019
Abstract Whereas prisons had previously been thought of as transitory places for those awaiting trial, the new prison system aimed at the reformation of convicts. In Spain the first organisation set up to improve prison conditions was the Señoras de las Cárceles. This article shows how the Señoras attempted to erase the sexual aspect of women's prisons
Elena Serrano
wiley   +1 more source

Uma leitura intertextual da poesia de Alberto Caeiro à luz da sabedoria zen-budista

Caligrama: Revista de Estudos Românicos, 2011
Análise da poesia de Alberto Caeiro, heterônimo de Fernando Pessoa, à luz da filosofia zen-budista, tanto no que concerne ao culto da natureza, como no que diz respeito à questão do eu, inerente ao poeta português e à filosofia Zen. O estudo ainda inclui
Márcia Munir Miguel Feitosa
doaj   +1 more source

‘By consultation of elevated minds’: the role of paratexts in Giovanni Battista Calderari's comedies

Renaissance Studies, Volume 38, Issue 1, Page 143-162, February 2024.
Abstract Genette's Seuils considers the dramatic paratext as the odd one out, and, indeed, the early‐modern theatrical paratext has remained understudied. This article discusses the paratexts of the comedies of Giovanni Battista Calderari, a sixteenth‐century author quite neglected by scholars, whose works were published in Vicenza and Venice.
Lies Verbaere
wiley   +1 more source