Results 31 to 40 of about 8,507 (181)
This paper characterizes several ways of transferring knowledge via lyric poetry. It is argued that conveying information via schemata is a prevalent mode of that kind.
Claudia Hillebrandt
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Aehnlichkeit in Lyrik und Poetik der Gegenwart
Ähnlichkeit ermöglicht es, Gleichheit in der Abweichung zu erkennen. Ideengeschichtlich reicht das Denken in Ähnlichkeiten bis in die Antike zurück und hat in jüngerer Zeit vor allem in der kulturwissenschaftlichen Forschung an Relevanz gewonnen.
Renata Gambino, Grazia Pulvirenti
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maqolada Uvaysiy lirikasini tadqiq etish orqali uning poetik olami yoritilgan. Shoiraning o‘zbek mumtoz adabiyoti rivojidagi o‘rni k o‘rsatilgan.
Ismonova Sanobar Yo'ldoshaliyevna
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ABSTRACT Set in the fictional Austrian border town of Dunkelblum in the historically momentous summer of 1989, Eva Menasse's novel Dunkelblum (2021) is a polyphonic narrative recounting stories of the town's ‘sogenannten kleinen Leute’ and revolving around the dark core of a Nazi‐era atrocity.
Kylie Giblett
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Erkennen – philosophisch und lyrisch
The problem of this volume is not so much ‚Lyrik‘ but rather ‚Erkenntnis‘ (knowledge, cognition). This paper, therefore, discusses a revision of the notion of ‚erkennen‘ (knowing, realizing, understanding), explaining it as a way of transforming our way ...
Tilman Borsche
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F IS FOR FALCON: THE TRUE STORY OF THE ‘NOVELLE’
ABSTRACT This article takes a closer look at the Boccaccio story upon which Paul Heyse based his famous ‘Falken‐Theorie’ of the ‘Novelle’. The essay then links Boccaccio to a general account of storytelling as an aid to survival amid the hostility of nature and human circumstances.
Michael Minden
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Zwischen Proposition und Erlebnis. Zum Erkenntnisbegriff der Lyrik aus philosophischer Sicht
From the point of view of a philosophy of literature the position of lyric poetry is specific. While epistemic approaches focus on fiction and its forms of cognition, lyric poetry is often reduced to conveying emotions or atmosphere.
Christiane Schildknecht
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ROBERT WALSER'S ‘BLEISTIFTWEG’: POETICS OF ATTENTION AS CRAFT
ABSTRACT This article examines Robert Walser's entry into what he called his ‘Bleistiftgebiet’ in the early 1920s, when in response to a profound crisis as a writer he began to produce manuscripts in minuscule size, the so‐called ‘Mikrogramme’ (microscripts). Intertwining the analysis of the short prose form with Walser's reflections on the short‐lived
Anne Fuchs
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Can we learn something from poetry? Can poems convey to their readers insight, knowledge, orientation, understanding or even wisdom? The paper assumes that general answers to these questions are possible but often lacking in substance.
Benjamin Gittel
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KILLJOY POETICS IN ANTJE RÁVIK STRUBEL'S BLAUE FRAU (2021)
Abstract Drawing on Sara Ahmed's concept of killjoy activism, I explore how Antje Rávik Strubel's Blaue Frau employs a killjoy poetics that refuses to brush over violence, asymmetry, injury and force. Instead, the novel intervenes in affective textures of happiness and reconciliation, and forms activist and ecological networks of resistance. I build on
Alrik Daldrup
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