Results 161 to 170 of about 1,657 (196)
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2013
Poland’s turbulent history in the 20th century has been the most significant factor affecting the development of vernacular cinema. Until 1918, when Poland regained its independence after 123 years of partitions, Polish cinema did not exist as a separate national entity and thus one can only talk about cinematic practices occurring in Polish ...
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Poland’s turbulent history in the 20th century has been the most significant factor affecting the development of vernacular cinema. Until 1918, when Poland regained its independence after 123 years of partitions, Polish cinema did not exist as a separate national entity and thus one can only talk about cinematic practices occurring in Polish ...
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The Representation of Stalinism in Polish Cinema
Canadian Slavonic Papers, 2000Focusing on the past has been almost natural in Polish cinema. Like Central European cinema in general, it has familiarized viewers with its political contexts and messages: the presentation of Central Europeans as victims of history, and a dark vision of history.
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Aerial Bodies in Polish Cinema
2016This chapter focuses on the representation of the dynamics of the body in flight in selected Polish films from the period of state socialism including The Case of Pilot Maresz, Against Gods, To Destroy the Pirate and On the Earth and in the Sky. The discussion centers on the idea of ‘socialist aerial bodies’, which is informed by Paul Virilio's ...
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Across Polish film history, the contributions of women have often been overshadowed by their male counterparts. While figures like Wanda Jakubowska, Barbara Sass-Zdort, and Agnieszka Holland have garnered recognition, many others remain marginalized and their work alarmingly under-researched.
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Polish Cinema Before and After 1990
2020Delivered as an introduction to the 2nd Annual Vancouver Polish Film Festival, SFU Theatre, Vancouver, October 18, 2013.
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Eugeniusz Bodo: the tragic face of Polish capitalism
Studies in Eastern European Cinema, 2022Ewa Mazierska
exaly
MASCULINITIES IN POLISH, CZECH AND SLOVAK CINEMA
2008Gender, especially masculinity, is a perspective rarely applied in discourses on cinema of Eastern/Central Europe. Masculinities in Polish, Czech and Slovak Cinema exposes an English-speaking audience to a large proportion of this region’s cinema that previously remained unknown, focusing on the relationship between representation of masculinity and ...
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Polish Cinema Now! Focus on Contemporary Polish Cinema
The Polish Review, 2013openaire +1 more source