Results 31 to 40 of about 74 (67)

The Jews and the Messianic Ethos of the Second Polish Republic. Stanisław Rembek’s Interwar Literary Writings

open access: yesPrzegląd Humanistyczny, 2019
Rembek’s conviction of Polish “chosenness” is expressed in the characterizations of the Jewish protagonists in his fiction. While Rembek’s diaristic writing reveals his antiSemitic prejudices, in his novella Dojrzałe kłosy [Ripe spikes], and novel Nagan [Revolver] he portrays the Jews as patriotic officers fighting for Poland.
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GALICIA IN THE CONCEPT OF POLISH MESSIANIC VISION.

open access: yesKarpatskyi kray, 2019
In this paper, the idea bases of aninterpretation of the Polish messianic visionof Galicia’s «polishness» are proved. Underconditions of modern creation of a nation,the Polish formulated political conceptionsabout the territory of the Commonwealth ofPoland, which should be revived with thearmed struggle and cooperation with themetropolitan country ...
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Not by bread alone: Lev Vygotsky's Jewish writings. [PDF]

open access: yesHist Human Sci, 2018
Zavershneva E, van der Veer R.
europepmc   +1 more source

John Paul II and the Polish messianism : introduction to the liturgy of history

open access: yes, 2019
Karol Wojtyła, before he was ordained for a priest, was, as everybody knows, an amateur poet, a promising playwright, and an outstanding actor. It is not widely acknowledged, though, that he was also deeply influenced by Romantic Messianism, an original complex of philosophical, religious and social ideas, created by a number of nineteenth-century ...
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Polish Romantic Messianism in Comparative Perspective

open access: yesPolish Romantic Messianism in Comparative Perspective
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Camões and messianism (Polish interpretations)

Świat I Słowo, 2020
The aim of the text is to present images of Camões created by nineteenth-centu- ry Polish writers. The author of the article refers to the following literary works: Kamoens w szpitalu [Camões in Hospital] by Julian Korsak, Kamoens by Fryderyk Halm and Don Sébastien de Portugal by Aleksander Przezdziecki.
Magdalena Bak
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