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Color as Political Matter: an Aesthetic-Linguistic Reflection [PDF]

open access: yesTaḥqīqāt-i Farhangī-i Īrān, 2021
Color in its essence is not only color but a symbol of language, message, significance, art, power, resistance, and politics. In other words, color is a visual, communicative, and perceptual element that can stimulate or alleviate people's emotions and ...
M. Azadbakht, A. Fahimiar, M.R. Tajik
doaj   +1 more source

Examining Visual Representations of Political and Military Interactions between the Sassanids and the Romans [PDF]

open access: yesپیکره, 2023
Introduction: The political/military confrontation between the Sassanids and the Romans, in late ancient times, led to the formation of a kind of propaganda and deterrent art, which can be called "political art".
Ebrahim Raiygani   +2 more
doaj   +1 more source

Afektywne granice i niesmaczna sztuka polityczna: «Pierwszy upadek europejskiego muru» Centrum Politycznego Piękna

open access: yesPamiętnik Teatralny, 2022
This article analyzes the scandal caused in the German public sphere by the Center for Political Beauty’s intervention The First Fall of the European Wall (2014).
Wiktoria Tabak
doaj   +1 more source

Social Network Analysis of 17th Jogja-NETPAC Asian Film Festival (JAFF) in Disseminating Films on Twitter [PDF]

open access: yesE3S Web of Conferences, 2023
Jogja-NETPAC Asian Film Festival (JAFF) is a prestigious festival in Indonesia that is a place for filmmakers to distribute their films. Film festivals are held once a year, between October and December. As of 2022, the film festival turns 17.
Dwi Arifianto Budi   +3 more
doaj   +1 more source

NEGOCIO. 2018. Centro Cultural Las Cigarreras de Alicante. Juegos críticos: una propuesta para interpelar al espectador.

open access: yesBRAC, 2021
La exposición de “NEGOCIO” veía la luz por primera vez en el Centro Cultural Las Cigarreras de Alicante como la ganadora de la III Convocatoria de Proyectos Expositivos Buit Blanc en 2018.
Beatriz Martínez
doaj   +1 more source

De las paradojas del arte crítico de la denuncia a las revoluciones estéticas en Jacques Rancière

open access: yesRevista Guillermo de Ockham, 2023
Este artículo ofrece el análisis de algunos de los conceptos relacionados con la estética desde la perspectiva de Jacques Rancière. La hipótesis que se intenta abordar supone que el arte crítico de la denuncia y el desenmascaramiento reproduce el orden ...
Karla Castillo Villapudua
doaj   +1 more source

What does Caravaggio have to do with “muzz” influx into Europe? Controversial street murals in Brussels and the question of political street art

open access: yesJournal of Aesthetics & Culture, 2022
Brussels has been the scene for a number of murals depicting sexually explicit and violent acts since 2016. Both online and offline discussions surrounding the murals reveal the complexities between visibility regimes and public spaces.
Deniz Berfin Ayaydin
doaj   +1 more source

Thomas Crow, The Artist in the Counterculture: Bruce Conner to Mike Kelley and Other Tales from the Edge (2023)

open access: yesAesthetic Investigations, 2023
Thomas Crow’s book The Artist in the Counterculture: Bruce Conner to Mike Kelley and Other Tales from the Edge reappraises West Coast art as enmeshed in the counterculture.
Mark Harris
doaj   +1 more source

La experiencia del espectador-usuario como factor primordial para la adecuación del modelo expositivo de un proyecto de arte relacionado con el genocidio, basado en fotografías socio-documentales = The viewer-user experience as a fundamental factor for the adaptation of the exhibition model of an art project related to genocide, based on socio-documentary photographs

open access: yesArte, Diseño e Ingeniería, 2020
El presente artículo tiene como objetivo realizar una reflexión sobre la importancia de la experiencia de usuario en las obras de arte basadas en fotografía socio-documental, referido en concreto al proyecto artístico GENOCIDE PROJECT.
Eduardo Gómez Ballesteros   +1 more
doaj   +1 more source

Artistas plásticos y partidos comunistas: el viaje de David Alfaro Siqueiros a Montevideo y Buenos Aires en 1933 y su impacto en los debates estético-políticos

open access: yesHistoria Crítica, 2021
Objective/Context: the article investigates the links between groups of plastic artists and communist parties in the Southern Cone in the 1930s. The visits of David Alfaro Siqueiros to Montevideo and Buenos Aires in 1933 are taken as a gateway to address
Laura Prado Acost
doaj   +1 more source

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