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Political Censorship of Caricature
1989In 1857 the French Minister of Fine Arts, Achille Fould, told a group of young artists that ‘Art is very close to being lost when it abandons the pure and lofty regions of the beautiful and the traditional paths of the great masters.’ He warned against ‘seeking only the servile imitation of the least poetic and least elevated of what nature has to ...
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Mexican Caricature and the Politics of Popular Culture
The Journal of Popular Culture, 1996Le Mexicain endormi sous son sombrero est l'un des stereotypes les plus courants a propos du Mexique. L'A. etudie l'apparition du motif, puis s'interroge sur les consequences que l'image donnee par cet indifferent endormi a pu avoir sur l'image du pays tout entier, jusqu'a influer peut-etre sur les attitudes de la communaute internationale, et des ...
Paul Rich, Guillermo De Los Reyes
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Prints of a New Kind: Political Caricature in The United States, 1789–1828
American Journalism, 2023F. Khoo
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Return of the Ridiculous, or Caricature as Political Cliché
Communication, Culture & Critique, 2014Christopher J. Gilbert
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Student Grant: caricature and politics in the 1830s
Journal of Victorian Culture, 1998(1998). Student Grant: caricature and politics in the 1830s. Journal of Victorian Culture: Vol. 3, No. 2, pp. 339-348.
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Caricature And French Political Culture 1830–1848
2000Abstract Charles Philipon (1800-1862) was the founder of the satirical illustrated press in France. With the newspapers he owned and directed, La Caricature and Le Charivari, he led an unprecedentedly coherent and vitriolic campaign of disrespect against King Louis-Philippe and his regime.
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William Paulet Carey and Irish Caricature, 1780–92
Eighteenth-Century IrelandThough best known for his involvement with the United Irishmen and his brief career as a newspaper editor, William Paulet Carey (1768–1848) was one of the first, and most interesting practitioners of graphic satire in Ireland during its inaugural phase.
James Kelly
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Caricature and Political Culture in Orléanist France
2000Abstract The Revolution of 1830 fundamentally altered the relationship between the government and people of France. The rigid distinction between the pays légal (the small elite of notables which alone had the right and the opportunity to participate in politics) and the pays réel, which had formed the heart of the Charter of 1814 and ...
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The Content of Our Caricature: African American Comic Art and Political Belonging
Studies in American Humor, 2021J. Y. Lee
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