Results 21 to 30 of about 2,626 (164)
De la «violencia poética» al «sacrificio poético»
This article aims to explain the two concepts that characterize the two stages of Angélica Liddell’s production in the 21st century: the «poetic violence» is related with politically oriented texts and shows that directly attack capitalist social ...
José Corrales Díaz-Pavón
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Georg Fuchs and the Social Function of Theater: notes on the book The revolution of the theater
The article presents and discusses some of the proposals of German theater thinker Georg Fuchs (1868-1949) contained in his book The revolution of the theater: conclusions about the Munich Artists’ Theater, published in 1909.
Beatriz Magno Alves de Oliveira
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Politics, Shakespeare, East-Central Europe: Theatrical Border Crossings
This essay discusses how productions of Shakespeare’s plays that transcend various geographical, national, and linguistic boundaries have influenced the theatrical-political discourse in East-Central Europe in the twenty-first century.
Zsolt Almási +5 more
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A Brief Genealogy of Theater and Education in Brazil: theater for children
This article proposes a historical-political view on the encounter between theater and education, considering theater for children as its practical operator.
Sidmar Silveira Gomes +1 more
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Transformations Of the Actor's Performance in The Political Theater
Political theater is an art form that carries with it an awareness message and a strong social impact. Theater in this context is not just an entertainment means، but rather an artistic platform based on thought and artistic expression to explore issues
Abdulhakeem Jasim Shamkhi
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En defensa and Canícula, by Lola Blasco: revolution turned into theatre
En defensa… y Canícula are two works by playwright Lola Blasco that represent her political and committed theater. Coming from Feministand the theater of the revolution, and as a member of the Emergent Dramaturgy in Spain–movements from the late nineties–
Pilar Jódar Peinado
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The international political context of the years between 1956 and 1957, especially as seen in Hungary, has brought new changes in the Romanian ideology, which can be observed even in the cinema and theater at the time.
Romina Soica
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Historical development overview of organizational-management model in Serbian theatre from the middle of XIX to the beginning of XXI century [PDF]
In this paper the author analyzes a historical development of organizational and management models in Serbian theater since its inception in mid-nineteenth century to the present day, under the influence of the current socio-economic and ideological ...
Raduški Dragoljub
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Neste artigo serão abordadas as referências políticas presentes em um tipo de teatro geralmente classificado de ligeiro, teatro de entretenimento puro, teatro comercial: o teatro musicado carioca de fins do século XIX até as primeiras décadas do século ...
Daniel Marques
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Myśleć z troską: Teatr, archiwum, historiografia
This article offers a review of the edited volume The Methuen Drama Handbook of Theatre History and Historiography (2020). The reviewer focuses on the ideological and methodological assumptions of the editors while paying particular attention to the ...
Magdalena Rewerenda
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