Results 41 to 50 of about 2,626 (164)
Matei Vișniec, l’homme qui voulait être un oiseau…
In the uncertain space of contemporary theater, at the borderline of failures and successive disappointments we have to situate the plays of a writer as Matei Vișniec, born in Romania and living in France since 1984, a writer who made the transition ...
Mirella Patureau
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During the 1960s and 1970s, Argentine theater experienced an almost simultaneous interest in the documentary and the political, as well as a experimental hybridization of forms.
Denise Cobello
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La ubicación y dimensión de los espacios abiertos fueron aspectos considerados al planificar las ciudades de las Tierras Bajas Mayas en el periodo prehispánico.
Kenichiro Tsukamoto +2 more
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Banned in 1949–1955, Witkacy was reclaimed for Polish culture in the process of political change in 1956. His work has the extraordinary capacity to renew meanings and to resonate with what is happening at a given moment, in changing political, social ...
Janusz Degler
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Introduction: Theater and Community. Poetics, Politics, Performances
INTRODUCTION: THEATER AND COMMUNITY. POETICS, POLITICS, PERFORMANCES Journal of contemporary drama in English (Rights reserved) (-) Introduction: Theater and Community. Poetics, Politics, Performances / Hartmann, Johanna (CC BY) (-)
Hartmann, Johanna, Saal, Ilka
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De Piscator a César Vallejo: los primeros intentos de teatro proletario en español
The following article comparatively analyzes the theatrical theories of Erwin Piscator (Das politische Theater, 1968) and César Vallejo (El arte y la revolución, 1973) and their practical applications.
Julio Vélez Sainz
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From home to stage: creative aging through the Teatro Umano method
This contribution examines practices of creative aging in contemporary theater through the community-based creation method developed by Teatro Umano under the artistic direction of Rita Wengorovius.
Rita Wengorovius
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The puppet theater has traditionally been a neglected form of popular literature in Europe,considered a minor form and left out of any cultural considerations.
Miquel Àngel Oltra Albiach
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Amma La: Reflective Account of a Participatory Mixed Theatre Method in Migration Research in India
This article presents the methodological process of interpreting the ethnographic data of my research about the question of Indian citizenship for Tibetan refugees in India as a theater play titled “Amma la” (meaning “mother” in Tibetan).
Lidis Garbovan
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Features of acting performance in the Iraqi political theatrical show
It is very necessary for political theater to be within the space of every theatrical performance, because theater in general carries different values and cultures in all countries of the world.
Muroj Hatem Mushref +1 more
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