Results 21 to 30 of about 442,252 (313)
Heiner Goebbels's Stifters Dinge and the Arendtian Public Sphere
Heiner Goebbels’s works are examples of “postdramatic” theatre works that engage with the political by seeking to challenge socially ingrained habits of perception rather than by presenting traditional, literary-based theatre of political didacticism or ...
Luke Matthews
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"It's the real thing": performance and murder in Sweden. [PDF]
The article investigates contemporary experimental theatre in Sweden. It sums up and probes the implications of Sju tre (1999), the most controversial theatre production in Sweden in modern times.
Johansson, S. O. M. +2 more
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The Art of Theatre in Nineteenth-Century America: George L. Fox, Pantomime and Artaud [PDF]
This article argues that, through specific stagings orchestrated in the pantomimist’s art, George Lafayette Fox demonstrates a consciousness of staging and of theatricality that presages the blatant theatricalities of twentieth-century theatre and ...
Arnold +17 more
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Pour une réception dynamique. Théories et œuvres du XXe siècle
During the 20th century, political theatre urges the spectator to perform the duties of a “model” citizen. Through the analysis of the dynamism theory established by Luigi Nono in his musical theatre, this study tries to recognize the aesthetic potential
Karine Saroh
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Du « je » au « nous ». Le Théâtre de l’opprimé comme grammaire d’une parole collective
The Theatre of the Oppressed appears as a theatrical pedagogy dedicated to “non-actors” – oppressed, vulnerable subjects – whose openly activist purpose implies the construction of a collective political subject.
Sophie Coudray
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INTERETHNIC RELATIONS IN THE SOCIO-CULTURAL CONTEXT OF THE REPUBLIC OF MOLDOVA [PDF]
From an ethnic point of view, the Republic of Moldova is a multinational state. According to the census conducted in 2004, the indigenous population constitutes 71.49%, which, according to the law, 69.62% of the total population declared themselves ...
COMENDANT TATIANA, CARAMAN IURIE
doaj
Looking Back at the Audience: The RSC & The Wooster Group’s Troilus and Cressida (2012) [PDF]
The controversy around the RSC & The Wooster Group’s Troilus and Cressida (Stratford-upon-Avon 2012) among the spectators and critics in Britain revealed significant differences between the UK and the US patterns of staging, spectating, and reviewing ...
Mancewicz, Aneta
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In 1988 Armando Punzo, director, playwright and actor, entered the gates of the prison of Volterra to establish Compagnia Della Fortezza, today’s first and most famous theatre experience inside a penitentiary institution.
Rossella Menna
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To capture the dramatic situation in/of the contemporary drama theatre in Macedonia, I will try to draw certain characteristics of the state of the theatre by referring to several political and social conditions with us, that erode the spirit and matter ...
Ivana Apostolova Baskar
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Resonances: The sound of performance [PDF]
It is a hot summer night in August 2013, as the audience gathers near the entrance of the large Gray Hall at the south side of the former coal mine Göttelborn (Germany).
Birringer, J
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