Results 21 to 30 of about 442,252 (313)

Heiner Goebbels's Stifters Dinge and the Arendtian Public Sphere

open access: yesPerformance Philosophy, 2019
Heiner Goebbels’s works are examples of “postdramatic” theatre works that engage with the political by seeking to challenge socially ingrained habits of perception rather than by presenting traditional, literary-based theatre of political didacticism or ...
Luke Matthews
doaj   +1 more source

"It's the real thing": performance and murder in Sweden. [PDF]

open access: yes, 2001
The article investigates contemporary experimental theatre in Sweden. It sums up and probes the implications of Sju tre (1999), the most controversial theatre production in Sweden in modern times.
Johansson, S. O. M.   +2 more
core   +1 more source

The Art of Theatre in Nineteenth-Century America: George L. Fox, Pantomime and Artaud [PDF]

open access: yes, 2010
This article argues that, through specific stagings orchestrated in the pantomimist’s art, George Lafayette Fox demonstrates a consciousness of staging and of theatricality that presages the blatant theatricalities of twentieth-century theatre and ...
Arnold   +17 more
core   +1 more source

Pour une réception dynamique. Théories et œuvres du XXe siècle

open access: yesItinera, 2019
During the 20th century, political theatre urges the spectator to perform the duties of a “model” citizen. Through the analysis of the dynamism theory established by Luigi Nono in his musical theatre, this study tries to recognize the aesthetic potential
Karine Saroh
doaj   +1 more source

Du « je » au « nous ». Le Théâtre de l’opprimé comme grammaire d’une parole collective

open access: yesÉducation et Socialisation, 2020
The Theatre of the Oppressed appears as a theatrical pedagogy dedicated to “non-actors” – oppressed, vulnerable subjects – whose openly activist purpose implies the construction of a collective political subject.
Sophie Coudray
doaj   +1 more source

INTERETHNIC RELATIONS IN THE SOCIO-CULTURAL CONTEXT OF THE REPUBLIC OF MOLDOVA [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2017
From an ethnic point of view, the Republic of Moldova is a multinational state. According to the census conducted in 2004, the indigenous population constitutes 71.49%, which, according to the law, 69.62% of the total population declared themselves ...
COMENDANT TATIANA, CARAMAN IURIE
doaj  

Looking Back at the Audience: The RSC & The Wooster Group’s Troilus and Cressida (2012) [PDF]

open access: yes, 2014
The controversy around the RSC & The Wooster Group’s Troilus and Cressida (Stratford-upon-Avon 2012) among the spectators and critics in Britain revealed significant differences between the UK and the US patterns of staging, spectating, and reviewing ...
Mancewicz, Aneta
core   +3 more sources

Contro il teatro sociale

open access: yesMimesis Journal, 2022
In 1988 Armando Punzo, director, playwright and actor, entered the gates of the prison of Volterra to establish Compagnia Della Fortezza, today’s first and most famous theatre experience inside a penitentiary institution.
Rossella Menna
doaj   +1 more source

Theatre Control Policy or Why After Goran Stefanovski and Dejan Dukovski, No One Is Known Outside the Borders of the Macedonian Theatre? (2010–2021)

open access: yesAmfiteater, 2022
To capture the dramatic situation in/of the contemporary drama theatre in Macedonia, I will try to draw certain characteristics of the state of the theatre by referring to several political and social conditions with us, that erode the spirit and matter ...
Ivana Apostolova Baskar
doaj   +1 more source

Resonances: The sound of performance [PDF]

open access: yes, 2014
It is a hot summer night in August 2013, as the audience gathers near the entrance of the large Gray Hall at the south side of the former coal mine Göttelborn (Germany).
Birringer, J
core   +2 more sources

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