Results 1 to 10 of about 93 (86)
Saint John at Calvary: technical and material study of a polychrome wood sculpture
CeROArt: Conservation, Exposition, Restauration D'Objets D'Art, 2013 A polychrome wood sculpture depicting Saint John at Calvary, probably a 17th century Portuguese production, was the subject of a study that aimed to characterise its materials and techniques. Radiography, optical microscopy, scanning electron microscopy,
Helena Pereira
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ColorantsIn this work, molecular and elemental spectroscopic analyses were carried out on the preparation base, the paintings, the repaintings, and the gilding of an 18th century sacred sculpture of Our Lady found on Anhatomirim Island, where the Santa Cruz ...
Thiago Guimarães Costa, Leonardo Furini
exaly +3 more sources
Heritage Science, 2023 This work proposes the virtual restoration of the Bodhidharma polychrome sculpture from the Lingyan Temple in China. Based on scientific analyses and simulation experiments, exterior colours and textures were virtually restored by combining 3D scanning ...
Yongdong Tong +3 more
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Heritage Science, 2022 This paper presents a recent study on a Roman period marble sculpture depicting Empress Livia and the portraits of Germanicus and Drusus Minor, found at the praesidium of Asido (Medina Sidonia, Cádiz, Spain).
Carlos P. Odriozola +3 more
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Radiocarbon dating of lead white: novel application in the study of polychrome sculpture
Scientific Reports, 2021 Recently, radiocarbon dating underwent considerable technological advances allowing unprecedented sample size downscaling. These achievements introduced novel opportunities in dating cultural heritage objects.
Sara Sá +3 more
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Farven vender tilbage. Et “sandere billede” af antik skulptur
Periskop, 2017 The Re-Emergence of Colour. A “Truer Picture” of the Sculpture of Classical Antiquity Though often held to be a well-known fact, the consequences of the re-emergence of polychromy of ancient Greek and Roman sculpture have not yet made themselves ...
Jan Stubbe Østergaard
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Restoration of a traditional indian instrument – Araswati Vina. An interdisciplinary approach [PDF]
Dialogica: Revistă de Studii Culturale și Literatură, 2021 This Saraswati Vina, a traditional Indian wooden instrument, is a collector’s item from the first half of the 20th century, owned by the art historian Pavel Șușară. The instrument was brought to the laboratory by Rodica Pop, to be restored and presented
Vasile Ioniță +2 more
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Considérations sur le style joanin dans le décor religieux luso-brésilien du xviiie siècle
Perspective, 2021 This article provides an overview of research on the Joanine-style gilded and polychrome wooden sculpture found in 18th-century Luso-Brazilian churches and chapels.
Aziz José de Oliveira Pedrosa
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Case Studies in Construction Materials, 2022 The polychrome clay sculptures of the Buddha at Baosheng Temple in Suzhou, China are important and famous cultural heritage with a history of more than 1000 years. Currently, they are tarnished by cracking, peeling, and fading.
Li Sheng +4 more
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Nathaniel Hitch and the Making of Church Sculpture
19, 2016 Housed at the Henry Moore Institute in Leeds is the archive of the little-known sculptor Nathaniel Hitch (1845–1938). This comprises hundreds of studio photographs, which collectively and individually provide significant insight into a hitherto neglected
Claire Jones
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