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POLYCHROMED SCULPTURES IN JAPAN

Studies in Conservation, 1970
Japanese sculptures are made of wood, dry lacquer, clay, gilt bronze and stone. Buddhistic statues, made of wood, are the most abundant. The painting techniques of the wooden sculptures, including ground coating, pigments, and application of Japanese lacquer, are described, and typical examples of Buddhistic statues are given.
K. Yamasaki, K. Nishikawa
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POLYCHROME SCULPTURE IN SWEDEN

Studies in Conservation, 1970
A survey is given of polychromed sculpture in Sweden. Historical aspects of the care of sculptures are discussed. Many retables have been imported from Lilbeck and Ant- werp. Polychromed sculptures are often well preserved because there was hardly any icono- clasm in Sweden. Many need treatment however due to various forms of neglect.
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Chromatic versus Polychrome Sculpture

Leonardo, 1971
quently filled in with colors: brown, red ochre and black oxide of manganese [1]. In the bronze age of early Mesopotamia, the sculptor satisfied his appetite for color by inlaying his bronze statues with shells and lapis lazuli. From the Amarnian period in Egypt, some sensitively carved heads in wood have come down to us that were painted to imitate ...
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LA RESTAURATION DES SCULPTURES POLYCHROMES

Studies in Conservation, 1970
AbstractUn expose est donne des methodes utilisees dans le passe pour la restauration de sculptures polychromes. L’accent porte sur la necessite d’une collaboration interdisciplinaire. La structure heterogene de la surface des sculptures polychromes pose des problemes particuliers. On souligne qu’une sculpture polychrome ne doit pas etre concue comme l’
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Renaissance Polychrome Sculpture

Review: The Renaissance Polychrome Sculpture databases for Tuscany, Lombardy and Piedmont, and Puglia and Basilicata hosted by Queen's University form an extensive, ongoing project to document Renaissance and Baroque polychrome sculptures in Italy. Each database contains high-resolution photographs, interactive maps, and detailed information for over ...
Morgan, Stephanie, Walker, Abigail
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Polychromed Stone Sculpture: Scientific Examination and Conservation

Studies in Conservation, 1990
The poster presents the main results of the conservation treatment of two poly chromed stone sculptures. Both have always been kept inside and they retain a large part of their polychromy. The statue of Our Lady with the Infant Jesus, located in the church of Redondesco, near Mantua, may be dated to the fourteenth century.
Luciano Formica, Antonietta Gallone
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A STUDY OF INDIAN POLYCHROME WOODEN SCULPTURE

Studies in Conservation, 1971
There is evidence in the literature that in India wood was used for making sculptures from very early times. Owing to the destructive climate, however, only wooden objects dating from the 7th century are available today, while polychromed wooden sculptures of the period before the 16th century are unobtainable.
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MEDIAEVAL POLYCHROME SCULPTURES IN AREZZO: HISTORY AND PAINTING TECHNIQUE

Studies in Conservation, 1998
The analysis of the archival data enabled us to establish that of these five important interventions only those of 1620, 1796 and 1864-78 involved the polychrome sculptures. Another interesting aspect which emerged from the historical and aesthetic approach was the state of preservation of these sculptures in the first years of this century.
Luigi Dei   +6 more
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