A Multianalytical Approach for the Characterisation of Materials on Selected Artworks by Monogrammist IP. [PDF]
Materials (Basel), 2022 Šefců R +5 more
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Polychromy in Corinthian Anatomical Votives
, 2023 This study examines a sample of 103 anatomical votives from the Sanctuary of Asklepios at Corinth to identify the colors with which they were painted and explore the potential symbolic meaning of those colors. I challenge the prevailing assumption that the Corinthian votives were painted primarily according to a gendered color scheme and, in doing so ...
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Connecting the beholder with the artwork: Thoughts on gaining liveliness by the usage of paraphernalia. [PDF]
Iperception, 2023 Carbon CC.
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X-ray Fluorescence Analysis of Pigments in Gothic Frescoes, Coats of Arms, and Polychromy on Sculptures on the Triforium in St. Vitus Cathedral on the Territory of the Czech Kingdom in the 14th Century. [PDF]
Materials (Basel), 2022 Čechák T +4 more
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, 2020 This music score was submitted for the Kaleidoscope 2020 Call for Scores, an open access collaboration with the UCLA Music Library.
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Les Cahiers de l'École du Louvre, 2019 The reintroduction of polychromy on the façades of nineteenth-century Parisian churches with paintings on enamelled lava took place, between 1827, the date on which Ferdinand-Henri-Joseph Mortelèque implement the first successful trials of painting on ...
Josette Saint-Martin
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Conservation of a Terracotta Acroterion from an Unknown Temple in Aegean Thrace
Българско е-Списание за Археология, 2013 The terracotta acroterion from the permanent exhibition of the National Archaeological Museum in Sofia most probably represents the goddess Artemis.
Sevdalina Neykova
doaj
The Network Initiative for Conservation Science (NICS): a model of collaboration and resource sharing among neighbor museums. [PDF]
Herit Sci, 2021 Pozzi F, Basso E.
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, 2020 This music score was submitted for the Kaleidoscope 2020 Call for Scores, an open access collaboration with the UCLA Music Library.
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'Baltic catacombs.' Translating corpisanti catacomb relic-sculptures between Rome, Polish Livonia, and the Lithuanian Grand Duchy circa 1750-1800. [PDF]
Open Res Eur, 2021 Budzyński R +5 more
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