Results 41 to 50 of about 291 (168)

Between colour and pattern: Ruskin’s ambivalent theory of constructional polychromy

open access: yesInterstices, 2017
John Ruskin offered an alternative paradigm to the debates on constructional polychromy in Victorian Britain. The paper considers the larger context of the debate and Ruskin’s place within it, which is that he favoured the decorative use of innate ...
Anuradha Chatterjee
doaj   +1 more source

Color and Light: A Hellenistic Terracotta Figurine of a Maenad from Myrina

open access: yesHeritage, 2023
During the Hellenistic period and under the growing influence of the art of painting, the polychromy of Greek terracotta figurines focused not only on an elaborate rendering of color, but also on the interplay of light and shadow.
Brigitte Bourgeois   +2 more
doaj   +1 more source

Couleurs et polychromie dans l’Antiquité

open access: yesPerspective, 2018
The perception of a classical antiquity draped entirely in white that formed over time in Western imagination has petered out. Though the first discoveries relating to the polychromy of Greek and Roman art go back to the nineteenth century, especially in
Adeline Grand-Clément
doaj   +1 more source

An Achaemenid God in Color

open access: yesHeritage, 2023
A limestone relief fragment with a figure in a winged disk from the fifth-century BCE Hall of 100 Columns at Persepolis in southwestern Iran that entered the Harvard Art Museums’ collections in 1943 preserves significant traces of its original coloration
Susanne Ebbinghaus   +4 more
doaj   +1 more source

Investigation of the Polychromy of the Virgin with Child of Raron Etude de la polychromie de la vierge à l'Enfant de Rarogne

open access: yesCHIMIA, 2001
An investigation of the polychromy of the Virgin with Child, dated 1170, from the collection of the Swiss National Museum, was carried out in the laboratory of conservation research at the Swiss National Museum in collaboration with the ETH ...
Marie Soares
doaj   +2 more sources

Characterization of a Portable Computed Tomography System for In Situ Analysis of Wooden Sculptures in Cultural Heritage

open access: yesX-Ray Spectrometry, Volume 55, Issue 5, Page 763-777, September/October 2026.
ABSTRACT Portable X‐ray computed tomography (portable CT) has become an important tool for the non‐destructive investigation of cultural heritage objects, particularly when in situ analysis is required. This work presents the experimental characterization and application of a transportable cone‐beam CT system designed for the inspection of large and ...
Anderson de Paula   +7 more
wiley   +1 more source

“Flames Over Persepolis”: New Scientific Evidence Supporting Historical Perspectives

open access: yesArchaeometry, Volume 68, Issue 3, Page 421-433, June 2026.
ABSTRACT This study investigates the burning of Persepolis Terrace, historically attributed to Alexander III in 330 bce. A review of classical accounts and excavation reports, combined with diagnostic surveys, confirms the fire's historicity and provides novel insights.
Maria Letizia Amadori   +10 more
wiley   +1 more source

The Nike of Samothrace’s presences during the XX and XXI centuries: mysteries and victories

open access: yesthersites. Journal for Transcultural Presences & Diachronic Identities from Antiquity to Date, 2021
Despite its fame, the Winged Victory of Samothrace keeps on fascinating not only every visitor of the Louvre museum, but also the eye of the connoisseur.
Élise Pampanay
doaj   +1 more source

Investigating Technology and Raw Materials Source of the Archaic and Classical Architectural Terracottas From the Athenaion in Castro (Apulia, Italy)

open access: yesArchaeometry, Volume 68, Issue 3, Page 512-526, June 2026.
ABSTRACT Since 2000, archaeological excavations have brought to light the sanctuary of Athena in Castro (Apulia, Italy), including terracotta roofs dated between the 6th and 4th centuries bce. Based on their morphological and stylistic features, it is suggested that the terracotta items were manufactured in the Greek colony of Taras (modern Taranto ...
M. M. N. Franceschini   +7 more
wiley   +1 more source

The Deceptive Surface: Perception and Sculpture’s “Skin”

open access: yesImages Re-Vues, 2017
In the eighteenth century, sculptors such as Antonio Canova often experimented with polychromy, using wax or grind water to subtly tint their figures’ flesh. In this article, I examine viewers’ discomfort with these surface treatments.
Christina Ferando
doaj   +1 more source

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