Table ronde — "Polychromy in ancient Sculpture and Architecture"
, 2016 15th -16th November, 2016, Centre de recherche et de restauration des musées de France (C2RMF), Palais du Louvre - porte des Lions 14, quai François Mitterrand, Paris 8th International Round Table Polychromy in ancient Sculpture and Architecture ...
irhis
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New Digital Tools for Restoring Polychromy to 3D Digital Models of Sculpture
, 2012 This project proposes to create a new, powerful set of color tools--to be distributed over the Internet at no cost--that will support the work of increasing numbers of humanists who wish to restore polychromy to works of sculpture whose original pigments
Bernard D. Frischer
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Connor (Carolyn L.). The Color of Ivory. Polychromy on Byzantine Ivories
, 2000 Vanderheyde Catherine. Connor (Carolyn L.). The Color of Ivory. Polychromy on Byzantine Ivories. In: Revue belge de philologie et d'histoire, tome 78, fasc. 3-4, 2000.
Vanderheyde, Catherine
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Rendering mortars in Medina Azahara, Part II: Material characterization and alteration causes
Materiales de Construccion, 1997 In the present work, the depicted coat that covers some of the mortars exposed to weathering in the Medina Azahara archaeological site is .studied. That coat is characterized from the compositional and physical viewpoint and the main causes for its decay
M. T. Blanco-Varela
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Connecting the beholder with the artwork: Thoughts on gaining liveliness by the usage of paraphernalia. [PDF]
Iperception, 2023 Carbon CC.
europepmc +1 more source
X-ray Fluorescence Analysis of Pigments in Gothic Frescoes, Coats of Arms, and Polychromy on Sculptures on the Triforium in St. Vitus Cathedral on the Territory of the Czech Kingdom in the 14th Century. [PDF]
Materials (Basel), 2022 Čechák T +4 more
europepmc +1 more source
Culture of colour in the city [PDF]
Arhitektura i Urbanizam, 2009 The phenomenon of colour is examined through the evolution of colour and development of culture of colour, which significantly affects the colouristic priorities of people and the colour of the city itself.
Vasiljević-Tomić Dragana
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Les Cahiers de l'École du Louvre, 2019 The reintroduction of polychromy on the façades of nineteenth-century Parisian churches with paintings on enamelled lava took place, between 1827, the date on which Ferdinand-Henri-Joseph Mortelèque implement the first successful trials of painting on ...
Josette Saint-Martin
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Setting the Stage, Framing the Picture; the Gilding and Polychromy of Late Medieval Altarpiece Structures in the North [PDF]
, 2020 The gilding and polychromy of the structural parts of altarpieces have largely been overlooked in art historical studies. However, these specific designs were important elements in the framing of the sculptural and painted content of the altarpiece ...
Kausland, Kristin
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Conservation of a Terracotta Acroterion from an Unknown Temple in Aegean Thrace
Българско е-Списание за Археология, 2013 The terracotta acroterion from the permanent exhibition of the National Archaeological Museum in Sofia most probably represents the goddess Artemis.
Sevdalina Neykova
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