Results 51 to 60 of about 2,017 (203)

The 8th round table on ancient polychromy (Paris, 2016)

open access: yes, 2021
On 15-16 November 2016, in front of a large audience, the Centre de Recherche et de Restauration des Musées de France (C2RMF) hosted the eighth international round table on ancient polychromy, organized with the support of the Université Paris I-Panthéon
Prost, Francis   +2 more
core   +1 more source

Investigation of the Polychromy of the Virgin with Child of Raron Etude de la polychromie de la vierge à l'Enfant de Rarogne

open access: yesCHIMIA, 2001
An investigation of the polychromy of the Virgin with Child, dated 1170, from the collection of the Swiss National Museum, was carried out in the laboratory of conservation research at the Swiss National Museum in collaboration with the ETH ...
Marie Soares
doaj   +2 more sources

Looking at Colour on post-Antique Sculpture [PDF]

open access: yesJournal of Art Historiography, 2011
Review of: Vinzenz Brinkmann, Oliver Primavesi, Max Hollein, (eds), Circumlitio. The Polychromy of Antique and Medieval Sculpture. Liebighaus Skulpturensammlung, Frankfurt am Main, 2010.
Jim Harris
doaj  

An Uncommon Instance of Egyptian Blue in the “Pigmented Intonachino” of the Fishpond Wall Painting From the Roman Villa of Torre di Pordenone (Northeast Italy)

open access: yesArchaeometry, EarlyView.
ABSTRACT The increasingly close integration of analytical techniques in the study of Greek and Roman wall paintings has shown that Egyptian blue was a common pigment, widely documented in the production of blue and greenish hues in ancient painted production.
Simone Dilaria   +5 more
wiley   +1 more source

Characterization of a Portable Computed Tomography System for In Situ Analysis of Wooden Sculptures in Cultural Heritage

open access: yesX-Ray Spectrometry, Volume 55, Issue 5, Page 763-777, September/October 2026.
ABSTRACT Portable X‐ray computed tomography (portable CT) has become an important tool for the non‐destructive investigation of cultural heritage objects, particularly when in situ analysis is required. This work presents the experimental characterization and application of a transportable cone‐beam CT system designed for the inspection of large and ...
Anderson de Paula   +7 more
wiley   +1 more source

FT-IR analysis of polychromy samples from antique stone sculptures in the Archaeological Museum in Split [PDF]

open access: yes, 2020
Analize polikromije na kamenu iz prethodnih desetljeća uglavnom su se temeljile na procjeni pigmenata analiziranih golim okom ili mikroskopom, bez kemijske analize koja bi to mogla potkrijepiti.
Miliša, Miona   +2 more
core   +1 more source

The Nike of Samothrace’s presences during the XX and XXI centuries: mysteries and victories

open access: yesthersites. Journal for Transcultural Presences & Diachronic Identities from Antiquity to Date, 2021
Despite its fame, the Winged Victory of Samothrace keeps on fascinating not only every visitor of the Louvre museum, but also the eye of the connoisseur.
Élise Pampanay
doaj   +1 more source

“Flames Over Persepolis”: New Scientific Evidence Supporting Historical Perspectives

open access: yesArchaeometry, Volume 68, Issue 3, Page 421-433, June 2026.
ABSTRACT This study investigates the burning of Persepolis Terrace, historically attributed to Alexander III in 330 bce. A review of classical accounts and excavation reports, combined with diagnostic surveys, confirms the fire's historicity and provides novel insights.
Maria Letizia Amadori   +10 more
wiley   +1 more source

George Gilbert Scott: A Pioneer of Constructional Polychromy?

open access: yes, 2014
The dominant historical account of constructional polychromy in Britain describes its emergence in the fifteenth century as a by-product of the introduction of brick-making under Flemish influence.
Aidan Whelan
core   +1 more source

The Deceptive Surface: Perception and Sculpture’s “Skin”

open access: yesImages Re-Vues, 2017
In the eighteenth century, sculptors such as Antonio Canova often experimented with polychromy, using wax or grind water to subtly tint their figures’ flesh. In this article, I examine viewers’ discomfort with these surface treatments.
Christina Ferando
doaj   +1 more source

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