Results 81 to 90 of about 1,248 (203)
Les liants organiques présents dans les polychromies d’objets ethnographiques
This study concentrates on different kinds of binding media present on ethnographic artefacts from central Africa. Once the preliminary examination and documentation of the painted parts were finished the analyses of selected samples by Fourier Transform
Vinciane Bruttin
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To the Mochica civilization, mural art represented an important form of artistic expression that allowed the rulers to deliver a symbolic message of established political power to the people.
Véronique Wright
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Research on polychromies from the medieval period in the archcatedral basilica in Przemysl
The article presents two important strands of research: the preserved paintings in the present attic of the Latin Rite Archcathedral Basilica in Przemyśl and the polychromy on the stone blocks in the foundation part of this temple. The existing paintings
Gosztyła Marek +3 more
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Polychromy and Meaning in the Angel Roof Sculptures of The Church of St Agnes, Cawston.
In the fifteenth century, a fashion grew for filling the roofs of parish churches in eastern England with sculptures of angels. Whilst some sculptures have lost their colour and others were likely never painted, extremely rare surviving polychromy at the
Oliver Coulson
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La polychromie des stèles de la nécropole des Bolards (Nuits-Saint-Georges, Côte-d’Or)
The Bolards necropolis (Nuits-Saint-Georges, Côte-d’Or) yielded several funerary steles as early as the 19th century, but mostly during a rescue excavation in 1973 and 1974, made in advance of the construction of a section of the A37 motorway.
Nicolas Delferrière, Anne-Laure Edme
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A Multianalytical Approach for the Characterisation of Materials on Selected Artworks by Monogrammist IP. [PDF]
Šefců R +5 more
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Connecting the beholder with the artwork: Thoughts on gaining liveliness by the usage of paraphernalia. [PDF]
Carbon CC.
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This music score was submitted for the Kaleidoscope 2020 Call for Scores, an open access collaboration with the UCLA Music Library.
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The reintroduction of polychromy on the façades of nineteenth-century Parisian churches with paintings on enamelled lava took place, between 1827, the date on which Ferdinand-Henri-Joseph Mortelèque implement the first successful trials of painting on ...
Josette Saint-Martin
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